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...hysterically banal aesthetic argument from Vincente Minelli's 1956 B-movie, Lust For Life (shot off TV via video tape and transferred to film), represents the Nixon-Paramount form of exploitation within Available Light. Speaking to the point of images questioned, Anthony Quian (Gauguin!) answers Kirk Douglas (Van Gogh), "I paint it flat, 'cause I see it that way," the Hollywood realist-humanist rationale for manipulation. For the more conscious elements of image-makers, the rationale is of course more problematic. "I don't know how to see you," Tom says to Amy, manipulating...

Author: By Jim Crawford, | Title: Film Available Light At Carpenter Center tonight and Saturday at 8:30 p. m. | 5/28/1971 | See Source »

...city's last great houses. From the felicitously festooned walls of his century-old mansion on Gramercy Park, Sonnenberg selected 64 portrait drawings of the past 150-odd years for an exhibition that opened last week at the Pierpont Morgan Library. The show includes a Van Gogh, two Modiglianis and a Saul Steinberg (of Sonnenberg). A rich potpourri of New York, N.Y., turned out for the opening-literary, artistic, social-a p.r. man's dream. One well-known mustached face was missing, though-Ben Sonnenberg...

Author: /time Magazine | Title: People, May 24, 1971 | 5/24/1971 | See Source »

...undistinguished landscape by Van Gogh, L'Hôpital de St. Paul á St. Rémy, joined the no longer select club of certified million-dollar marvels by fetching $1,200,000. A smallish Gauguin self-portrait, far less impressive than several others he painted, brought $420,000-an auction record for that artist. Degas's 37½-inch-high La Petite Danseuse de Quatorze Ans, wearing the original cloth tutu and silk hair ribbon Degas used, broke the existing auction record for sculpture, selling for $380,000. Ironically, the little statue was received with such hostility...

Author: /time Magazine | Title: Art: Ever Upward | 5/17/1971 | See Source »

...Papeete. The most advertised side of the legend is also false. Gauguin's art was neither freed nor even significantly changed by the South Seas. When he left France in 1891, he was no Sunday painter but a mature artist with a circle of admirers that included Van Gogh, Maurice Denis and the Symbolist poets. Tahiti served only to inject new subjects into a vision and manner that had already set. This fact, crucial to an understanding of Gauguin's art, is elegantly documented in a selection of his pre-Tahiti paintings that opens this week...

Author: /time Magazine | Title: Art: Unforgettable Self-Delusion | 3/22/1971 | See Source »

...Beatles had any money in the bank according to Lennon, but "people were robbing us and living off us to the tune of £18,000 to £20,000 a week." He also confided that he considers his talents suitable for competition with the likes of Van Gogh, Renoir and Shakespeare. "That's been my hang-up you know?trying to be Shakespeare or whatever it is. Rock just happens to be the medium which I was born into...

Author: /time Magazine | Title: Music: Beatled????mmerung | 1/25/1971 | See Source »

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