Word: gogo
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...oise Sagan left for the relative calm of Normandy; Brigitte Bardot was pregnant. Saint-Trop has nearly as many candlelit cellar clubs as the Left Bank, and the vogue has spread along the coast as far as Nice, where the Gorilla Club boasts of stereophonic sound. At Whisky à Gogo in Cannes the doors were locked after midnight, because there was room for no more customers. In Monte Carlo the gambling casino complained about the lack of players; in Juan-les-Pins the complaint was that the players were too canny and the casino was losing money...
Hartman's intelligence is manifest in the current production, but his consistency sometimes falters. Each of the several portrayals is excellent in its own right, but they do not always mesh as they might. Becklan Algren plays Gogo more or less naturalistically, with accent and gestures that would be equally appropriate to Waiting for Lefty. A recognizable human characterization lies behind his performance. Tony LoBianco's Vladimir seems, on the other hand, to have an abstraction behind it. The two men are professionals, and pursue their readings with great skill, but they do not always coordinate properly...
...largely on a specific person. Didi's name is the phonetic equivalent of "D.D.," i.e. "Doctor of Divinity." And early in the play Didi starts a discussion of the Gospels. He introduces quite a bit of philosophizing; he sings a ballad and a lullaby; and he has ministered to Gogo spiritually and materially for 50 years, and repeatedly makes medical allusions and diagnoses. Now what person fills the bill--theologian, philosopher, musician, physician, and compassionate servant of the less fortunate for half a century? Albert Schweitzer. If you think this far-fetched, I call your attention to the fact that...
...have been able to learn my lines in this play unless every one of them meant something definite to me. . . .Nevertheless, I still consider myself a Shakespeare man" (a highly acclaimed Hamlet, he will be the Othello at next summer's American Shakespeare Festival at Stratford, Connecticut). Mantan Moreland (Gogo), to get a laugh, pulled the Bert Lahr trick of quipping, "I speak my lines, but I don't know what I'm saying." But just as Lahr in private has clear ideas about the play's meaning, I am sure Mr. Moreland does...
...permeates so much of Oriental thinking). In one case: teacher and pupil, guardian and ward, rationalist and emotionalist, etc.; in the other: capitalist and laborer, upper class and lower class, exploiter and exploited, etc. Superb as was Bert Lahr's performance individually last year, the requisite mutual rapport between Gogo and Didi was lacking; and it is this complementary interrelationship that Messrs. Hyman and Moreland now capture so perfectly...