Search Details

Word: gogorza (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
Sort By: most recent first (reverse)


Usage:

...made her Institute of Music in three years' time into one of the few wonders of the music world. Money is much, but far from all in that world. At a music institute the teaching staff is all-important. To hers Mrs. Bok attracted Mme. Sembrich, Emilio de Gogorza, Carl Flesch, Moritz Rosenthal and many another. A program comes next. The Bok administration provides needy students not only with instruments and instruction, but with living expenses and funds for their debut concerts as well...

Author: /time Magazine | Title: Music: In Philadelphia | 6/13/1927 | See Source »

Engaged. Hamilton Eames, brother of Actress Clare Eames, nephew of famed Mme. Emma Eames de Gogorza, onetime Metropolitan soprano; to Marian Bull, granddaughter of Ainsley Wilcox of Buffalo, in whose house the late Theodore Roosevelt took the President's oath of office...

Author: /time Magazine | Title: Milestones: Jun. 6, 1927 | 6/6/1927 | See Source »

...Alfred Human,* Editor) appeared on the newsstands, was eagerly bought and discussed by the practitioners of the trade. Singing, its first readers found, was somewhat patchily made up. It contained an article by W. J. Henderson, critic, who pooh-poohed the popular reverence for opera stars, calling Emilio de Gogorza, concert baritone, "the supreme artist of them all." It was embellished by a page of caricatures of famed musicians, by a blurred "Art Supplement," and by a song entitled "A Memory" and beginning: Somehow I feel that thou art near, Though naught there is around, which the composer, one Rudolph...

Author: /time Magazine | Title: Music: New Magazine | 2/1/1926 | See Source »

Emilio de Gogorza and Sophie Braslau gave the second of the Steinert concerts last Sunday afternoon in Symphony Hall...

Author: By A. G., | Title: THE CRIMSON PLAYGOER | 11/9/1922 | See Source »

...Gogorza brings to the concert stage a dignity and continence which cannot but inspire a respect for his art. With a voice of fine natural warmth and vividness of expression, his perfect technique and easy control of tone conveys, to the listener impressions of restraint and perfect command of his art. With a voice smooth though not weak, powerful though never forced, he gave a program which evinced catholicity of taste and true musicianship. Commencing with eighteenth century music of Gluck and Handel, he sang three songs of Griffes, Huhn's "Invictus". (the words are Henley's) and various French...

Author: By A. G., | Title: THE CRIMSON PLAYGOER | 11/9/1922 | See Source »

| 1 | 2 | Next