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...people. Apparently, the dragons of “How To Train Your Dragon” are really bad with moving targets—perhaps that’s where the training comes in. But suffice to say, Hiccup’s efforts at human-dragon reconciliation do not go over as smoothly as he hoped...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: How to Train Your Dragon | 3/30/2010 | See Source »

...Harvard Film Archive last Friday. “I am moved and touched [and] all the more gratified to receive this prize at this particular time because I am in the final stages of my most recent film, which can be tiring, and [this] is a great motivator to go back into the editing room,” Kechiche said...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Kechiche Shows Harvard Film Archive Some 'Love' | 3/30/2010 | See Source »

...Abdelkrim, or Krimo, from the Paris suburbs who becomes infatuated with his gamine classmate Lydia. Krimo joins the school production of Marivaux’s “Games of Love and Chance” to play the counterpart of Lydia’s character. However, Krimo fails to go beyond merely murmuring the lines, since, as a matter of fact, he has never read a single book in his life not to mention 18th-century classical theatre. Kechiche’s camera observes the unfolding of the story with a heavy hue of endearment...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Kechiche Shows Harvard Film Archive Some 'Love' | 3/30/2010 | See Source »

...actor who undoubtedly steals the show is Corrdry, who, unashamedly and sometimes with glee, is not afraid to go for the easy laugh. This is evident in a scene in which he pulls out his own catheter, or his numerous instances of projectile vomiting, getting beat up, and rear nudity. It is mostly immature, but Corrdry pulls it off with a lot of energy and enthusiasm...

Author: By Brian A. Feldman, CRIMSON STAFF WRITER | Title: Hot Tub Time Machine | 3/30/2010 | See Source »

...artists can’t invent meaning themselves. What works come to mean and how they exist in the marketplace and history is external to our control. That for me was the radical recognition now associated with institutional critique. If one thinks of this in this manner, it can go two ways. One was even more of a reaction: once we know how determining institutions are, let’s escape them. There was some of that impulse in me and my early work...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

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