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Most relieved, of course, were the principal targets of the investigation, Producers Aaron Spelling, 52, and Leonard Goldberg, 46. The two had been accused of trying to cheat investors in ABC's Charlie's Angels, chiefly Actor Robert Wagner, 50, and his actress-wife Natalie Wood, 42, by siphoning off at least $660,000 of Angels 'profits to Starsky and Hutch, a show that the producers owned a larger percentage of. Only slightly less elated were executives at ABC who had approved the transfer of funds and ABC President Elton Rule, 63, a close friend...

Author: /time Magazine | Title: Television: A Bombshell Case Goes Phfft! | 12/15/1980 | See Source »

...investigation began in 1979 after Jennifer Martin, 32, a lawyer in ABC'S West Coast contracts department, pointed out to her boss that for each episode of Charlie's Angels the network was paying Spelling and Goldberg $30,000 for "exclusivity." Why, she asked, should ABC pay for exclusivity when under the terms of an earlier agreement it already had exclusive rights to their services? According to Martin's memo of the meeting, which the D.A. quoted, ABC V.P. Ronald Sunderland, replied: "You want to know what it's really for? They're [cheating...

Author: /time Magazine | Title: Television: A Bombshell Case Goes Phfft! | 12/15/1980 | See Source »

Weinberg's client, Robert Goldberg, won his suit against the SSS in Philadelphia federal district court in July, but Supreme Court Justice William J. Brennan stayed the decision, allowing registration of 19- and 20-year-old men to begin as planned...

Author: By Paul M. Barrett, | Title: Supreme Court To Review Registration | 12/2/1980 | See Source »

...which I'm an absolute expert." Some moviegoers will see the film as life made into art, the rarefied atmosphere of Manhattan high life bottled, aged and served with a chill. Others will wonder if the movie isn't an elaborate mechanism of self-abuse, a Rube Goldberg dildo, a film about a dead end that is a dead end for this prolific, personal film maker. Stardust Memories has much to please the eye and ear. Cinematographer Gordon Willis and Production Designer Mel Bourne have created an austere, bleached environment that gives Allen's film a look...

Author: /time Magazine | Title: Cinema: A Comic Master Goes for Baroque | 9/29/1980 | See Source »

...Ewing Oil headquarters is a castle in the air-almost literally. The stock shot of the office tower shows a fleecy cloud reflected on the building's façade with the surreal clarity of a painting by Magritte. Dallas realty; Dallas fantasy. The plot is a Rube Goldberg machine of the seven deadly sins, but performed and acted absolutely straight. This gives the viewer options. He can live and die with the Ewings; he can see the show as a satire of Neanderthal capitalism; or he can appreciate Dallas as the most adroitly plotted multigenerational saga since...

Author: /time Magazine | Title: TV's Dallas: Whodunit? | 8/11/1980 | See Source »

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