Word: goldener
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...Elizabeth: The Golden Age? Better, perhaps, to call this Elizabeth: The Frenzied Years - especially since the film's director, Shekhar Kapur, suffers from an advanced case of restless camera syndrome. Tracking shots, twisting boom shots, placements that are either radically high or low - they all betoken a director who doesn't trust his material. And why should he? The statecraft of 400 years ago is not the stuff of great movies - all mutterings in the shadows about geopolitical issues that the screenwriters, William Nicholson and Michael Hirst, prefer not to go into. That leaves Kapur with the Elizabeth-Raleigh thing...
...Elizabeth: The Golden Age” has matured in all ways since its prequel, 1998’s “Elizabeth.” Motivated by the many intricate layers of the personality of Queen Elizabeth I, whom Cate Blanchett portrays in both films, it never rests in one place for too long and stays impressively true to historical accounts of her reign. Despite the seven Oscars for which “Elizabeth” was nominated, “The Golden Age” breaks with the common convention of sequels falling short of their predecessors. Rather...
...killing and injuring thousands. I know they will not hesitate to shoot, whether or not there's a foreigner present. Sure enough, seconds later they open fire. From that moment on, the world's most unlikely uprising--with its vivid images of marching monks and exuberant students, of golden pagodas and rain-drenched streets--feels doomed...
They pour out of the Shwedagon, an immense golden pagoda that is Burma's most revered Buddhist monument, two miles north of downtown Rangoon. The monks form an unbroken, mile-long column--barefoot, chanting their haunting mantras, clutching pictures of the Buddha, their robes drenched with the late-monsoon rains. They walk briskly, stopping briefly to pray when they reach Sule Pagoda. Then they're off again, coursing through the city streets in a solid stream of red and orange, like blood vessels giving life to an oxygen-starved body. Their effect on Rangoon's residents is electrifying. At first...
Through the windows of a Paris cafe on the Right Bank, the lunchtime crowd chatting over red wine and espressos can see water gushing from stone sphinxes under a carved column topped with a golden angel. It is hard to imagine a starker contrast between this gracious eatery and the ravaged villages of Darfur, yet among the diners here is a man who could hold the key to peace in the devastating conflict in western Sudan. "The Sudan regime is an outlaw regime," Abdul Wahid el Nur, leader of the rebel Sudan Liberation Movement, shouts, slamming his fist...