Word: goldenly
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Dates: during 1960-1969
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Thus Scranton was waging a war on two fronts, one against Goldwater, the other against the incumbent President. He missed no opportunity to contrast his views with Goldwater's, and Barry, with his vote against the civil rights bill, served up Scranton a golden issue on a silver platter. No sooner had Goldwater announced that he would naysay the civil rights measure than Scranton shot off a telegram. "I urge you," he wired, "to repudiate your opposition to the civil rights bill by voting yes on final passage. Your views on the subject to date are opposed...
...wash up wakes like walls in San Francisco Bay's East Oakland estuary, but they are getting used to watching out for the thin-skinned craft with the straining oarsmen. Since California first dipped an oar in 1907, it has won the Intercollegiate Rowing Association Regatta eight times. Golden Bear crews have won three Olympic gold medals in three tries, and established themselves as the power in the West...
Bravado & Bravery. The idea that portraits were history came naturally to Western Painter George Catlin. In the 1830s he resolved to assemble a pictorial record of the last golden years of the Indians freely living their own lives. He rode across hundreds of miles of unmapped prairie, visited 48 tribes and painted 600 pictures. His Indian Boy is a triumph of photographic realism blended with psychological insight. There is a trace of bravado in the boy's stance, backed by ultimate bravery in the clenched right fist. Around the eyes and mouth is the faint hint of sadness...
...longest-lived popular recordings today are of Broadway musicals. My Fair Lady, The Sound of Music and Camelot have sold over a million copies each and are still buyers' favorites. Two original-cast albums of current shows may join these golden few. having displaced the Beatles this month as top sellers...
...modern Barcelona, the feud of two passionate gypsy clans, the Tarantos and the Zorongos, provides a turbulent prologue to the first meeting of young Rafael and Juana at a wedding feast. Dark eyes burn, hands slap out flamenco rhythm, bare feet pound the golden dust: thus Director Rovira-Beleta wordlessly launches a tale of love at first sight with an excitement that Shakespeare himself might envy. Later he tries too many tricky variations on the familiar story line, occasionally becoming somewhat incoherent, but his feel for Spanish gypsy folkways never falters. The tragedy mounts while men, women and children dance...