Word: goldenly
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...proud display in the N.C.F.A.'s new gallery, the paintings are suffused with something approximating their original unearthly aura, a weird kind of radiant half-light that Ryder thought of as "golden luminosity." It floods across the two foreground figures in Christ Appearing to Mary, painted about 1885. It pulses in the background of The Flying Dutchman, which shows the phantom ship gliding across the horizon behind an open boat manned by three storm-tossed mariners. As Ryder remarked: "What avails a storm cloud accurate in form and color if the storm is not therein?" In this painting...
Black is beautiful, says the Negro slogan. Money is golden, says Hollywood. This year they coincide: Sidney Poitier is the number-one money-making star of 1968, reports the Motion Picture Herald in its 37th annual survey of superstars. After Poitier comes Paul Newman; third is Julie Andrews; fourth is John Wayne-appearing among the Top Ten for a record 19th time. In fifth position is a newcomer, Clint Eastwood, whose made-in-Italy "Dollar" westerns were appropriately named. The sixth is Dean Martin; seventh, Steve McQueen; eighth, Jack Lemmon; ninth, Lee Marvin; and tenth, Elizabeth Taylor. There...
Harvard had a golden opportunity in the first minute of the game when Bruins' Gary Peacock and Frank Sacheli went off the ice at 1:47 and 2:51 respectively. The Cavanagh line had a two man advantage for over a minute, but they played for the clear shot and lost control of the puck after lengthy maneuvering...
...Flute should lead everyone to the depth of his own temperament, and so I prefer to have the public imagine the river." There is no river to imagine in Ustinov's Magic Flute, but there is much else. Sarastro's temple of wisdom is suggested by four golden columns and a clear egg-yolk backdrop rather than the usual bombastic temple architecture. The other sets consist primarily of a variety of shrublike trees positioned differently for each scene...
Olsen often loads his incidents-and his sentences-with more detail than they can support, and a certain awkwardness results: " 'How are your wounds?' Marie Tiviroli, the golden-haired princess of Steccola, said when she awakened in the abandoned charcoal hut between Cadotto and her home." But when the material is treated simply, it embeds itself in the reader's imagination. For example, in Olsen's handling of the postman, who thought the best thing to do under the circumstances was to walk his usual route burdened with letters for the dead. Or his description...