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...affair with someone her age (Trevor Howard) but married a wealthy, older man (Claude Rains). It's not one of the great director's masterpieces, but it had an emotional gravity that locates the difference between love and being in love, and it fulfilled the basic dictum of Golden Age movies: beautiful people with difficult problems, in radiant black-and-white. For me, it also had the romance of being made in a time when the British film industry believed in its own power to entrance - something that's long been lost...

Author: /time Magazine | Title: Film Country for Old Men | 5/19/2008 | See Source »

...areas, the state-run Xinhua News Service reported. Rescue efforts are now entering their final stages, when only the most extreme cases of survival emerge. On Saturday, 165 people were rescued from flattened buildings, a State Council spokesman said. President Hu Jintao told visiting survivors Friday that although the "golden 72 hours" when pulling survivors from the rubble is most likely has expired, saving lives is still the priority...

Author: /time Magazine | Title: The China Quake's Homeless Victims | 5/18/2008 | See Source »

...Chinese director Jia Zhangke has long been a favorite at the Venice Film Festival - his Still Life won the Golden Lion there in 2006 - but this quasi-documentary is his first entry in the Cannes competition. Jia's stately, static camera style is well suited to the story, which weaves the comments of workers from a Chengdu factory with three fictional monologues, delivered by distinguished actresses of three periods of Chinese cinema: Joan Chen, Lu Liping and Zhao Tao. "As far as I'm concerned," Jia says in a program note, "history is always a blend of facts and imagination...

Author: /time Magazine | Title: Cannes Gets Real | 5/17/2008 | See Source »

...Golden Compass, the first of the Pullman trilogy, reached the screen last December. It cost the same as The Lion, the Witch and the Wardrobe ($180 million) but grossed only $70 million at the domestic box office. The very respectable $301 million the movie earned in foreign markets wasn't enough to mask the disappointment of its producing studio, New Line. No sequels were green-lighted, and in February New Line was folded into its parent company, Warner Bros...

Author: /time Magazine | Title: Why Narnia Hits While Golden Compass Flops | 5/15/2008 | See Source »

...other similarity in the two films: to this adult's eyes, they were of only middling quality. The Golden Compass was middling-good, with a beguiling central performance by 13-year-old Dakota Blue Richards, a slinky turn by Nicole Kidman as an evil-stepmom type and a nifty polar-bear fight. But the film never cohered, and at the end it trailed off into a preview of the two sequels that now don't look as if they'll be made. The first Narnia movie was middling-bad, its four lead child actors displaying little charm, their world holding...

Author: /time Magazine | Title: Why Narnia Hits While Golden Compass Flops | 5/15/2008 | See Source »

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