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Golding Spire

Author: NO WRITER ATTRIBUTED | Title: Best Sellers in the Square | 5/14/1964 | See Source »

Golding saves his full verbal resources for the descriptive sequences, such as the riot when the workers discover they will have to finish the shaky tower, and the reverberating interior of the church in a storm. But here again Golding's metaphors tend to defeat his purpose. They fail in...

Author: By William H. Smock, | Title: The Spire | 5/12/1964 | See Source »

In the concluding chapters, where the priest's doubts bring him close to madness, Golding's allegorical purpose at last follows him to expand the book's emotional breadth. By now he has dramatized the two opposite extremes and must show the priest's mind gaining complexity in order to...

Author: By William H. Smock, | Title: The Spire | 5/12/1964 | See Source »

But since an allegory is ultimately didactic, its ending not only concludes the story, but culminates the argument. It cannot, for instance, and in purely personal tragedy. Golding does a better job ending this book than he did with, Lord of the Flies, which relied on a deus ex machina...

Author: By William H. Smock, | Title: The Spire | 5/12/1964 | See Source »

But still the human sting is taken out of Jocelin's fall by Golding's wish to moralize. Nature is introduced in the final pages as a healing balm, so that the dying Jocelin can say as he views the tilting spire, "It's like the apple tree." There is...

Author: By William H. Smock, | Title: The Spire | 5/12/1964 | See Source »

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