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...commercially traditional (Jimmy Smith on “Jingle Bells”) to the decidedly un-traditional (Louis Armstong on “Zat You, Santa Claus”), there is hardly an errant note on their disc. Joe Williams, with his voice of liquid gold, oozes sophistication from every pore during “Let it Snow!” Sentimental and sweet without ever saccharine, Williams’ arrangement presents perhaps the best version of the song ever recorded. Pianist Bill Evans strays away from the vocals and brings his light, lyrical tone and novel improvisation...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

...likes it. “I definitely want people to know when I’m at a party,” she says, giggling between her sentences, “I’m just kind of, like, out there!” And judging from the bright gold shirt, big gold dangly earrings, and the two high ponies sprouting from the top of her head, Kiana isn’t somebody who goes unnoticed...

Author: By The CRIMSON Staff, | Title: In Your Face | 12/6/2001 | See Source »

SPIRITUALITY Houses of worship have already seen attendance rise as much as 10%, but God is also in Aisle 2: Bibles have been moving off shelves in record numbers, and at Neiman Marcus, top-selling necklaces include a cross pendant, above, and a gold-and-diamond horseshoe, for good luck...

Author: /time Magazine | Title: Christmas Present | 12/3/2001 | See Source »

...right at the heart of world capitalism. And it was a pretty good shot: it leveled two of the biggest buildings in the U.S. and shut down the New York Stock Exchange and the NASDAQ - the world's two biggest stock markets - for four days. The prices of oil, gold and bonds were sent soaring. The London FTSE, the Paris CAC and the German DAX all took double-digit losses in the first few days. By the end of September the news crossing the wires was grim and grimmer: corporate profits and consumer sentiment plummeting, unemployment shooting upward...

Author: /time Magazine | Title: The Crash That Wasn't | 12/3/2001 | See Source »

Acts of horror often find their appropriate response in works of art. In a tradition going back 2,500 years - when Euripides took the Melian massacre and spun it into the theatrical gold of The Trojan Women - artists have done what politicians and the media cannot: explain the inexplicable, make sense of the incomprehensible. Will September's disaster find its outlet in the works of today's authors and playwrights...

Author: /time Magazine | Title: Turning a New Page | 12/3/2001 | See Source »

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