Word: golds
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Dates: during 1990-1999
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Between 1836 and 1914, the U.S. lacked a central bank; Morgan stepped boldly, sometimes magnificently, into that breach. When gold reserves backing the country's legal tender dipped perilously low in 1895, he masterminded a bond issue in New York and London that replenished the gold stock--one of many acts he performed that preserved America's credit abroad and evinced a new financial maturity that won the confidence of foreign investors...
...Great Quake shook parts of the city to rubble. He hurriedly dressed and hitched a team of horses to a borrowed produce wagon and headed into town--to the Bank of Italy, which he had founded two years earlier. Sifting through the ruins, he discreetly loaded $2 million in gold, coins and securities onto the wagon bed, covered the bank's resources with a layer of vegetables and headed home...
...honest devotion to and many sacrifices for her lover, Alfredo Germont (played by Rafael Rojas), teach the haughty aristocrats (namely Alfredo's father, Giorgio Germont, played by Vasquez) of mid-century Paris how endearing and tender this supposed easy woman can be. The whore with a heart of gold? It's been done, you say. But not to the music of Giuseppe Verdi: the passion and the thrill of his music will make every Mira Sorvino '89/Elisabeth Shue '88/Kim Basinger poseur-hooker seem like a mean-hearted trollop in relation to the radiant and self-sacrificing Violetta...
...that I can do what I love to do." But in the meantime she's not waiting for divine intervention. At United Presbyterian she has formed an impromptu priesthood of her own: about 100 worshippers are wearing stoles. One is shot through with glitter, another with gold lame stars. They are all purple, the color, confides a congregant, of the Resurrection. (Actually, purple symbolizes penitence, an unintended irony.) Garbed in forbidden raiment, the parishioners rock to the lyric, "You allowed us to come together one more time." It is this communion that sustains Marian Moschetti, a lapsed Catholic who rediscovered...
Genre hopping is the favorite sport of today's pop stars, and few performers play the game better than Beck. On his major-label debut, Mellow Gold (1994), Beck helped re-energize folk motifs by combining them with hip-hop beats. On his new album, Mutations (DGC), Beck has mostly abandoned hip-hop. His new sound draws largely from older, traditional styles: pure folk, blues and, on the spirited song Tropicalia, bossa nova. The energy of Beck's hip-hop/folk experimentation is missed here; this is a ruminative album that's more about quiet revelation than sonic revolution...