Word: goldsmithing
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Dates: during 1950-1959
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...marries in confusion and falls in love with his wife after she has betrayed him, but his subsequent transformation to cleverness and understanding is a surprise in the light of the earlier characterization. Miss Fuchs appeared again as Marcolfa, the servant, and did her usual good job. Mary Anne Goldsmith as Belisa's mother was brief and entertaining, as were Ann Arensberg and Lucia Stein as elves. I suspect Wendy MacKenzie, although charming enough in the part of the bride, was partly responsible for the failure of clarity at the end of the play. Nevertheless, it came off pretty well...
...Dick Brown and Clarence Chang, and the lyrics of Lucy Barry and company. Brown's first song, "Mother Knows Best" is a little too much of the brass musical to be comprehended by children, but adults roar with delight at the Broadway step and brash voices of Maryanne Goldsmith, Sally Shoop, and Anne Adams. Most of the other songs, which were written by Chang, are better suited to infant ears, and Brown redeems himself with the finale--"Flowers Are Dancing...
...Cinderella, Wendy Mackenzie does not dominate the stage, but her natural freshness and simplicity pervade the whole performance. Her dancing is light and graceful; even when she is downtrodden, she is never bedraggled. Miss Goldsmith's caustic voice is most appropriate for her rendition of the older sister. The younger sister, Miss Shoop, is somewhat less successful with her mouth hanging open all the time, although this seems more a matter of the director's misconception than Miss Shoop's perversity. The Step-mother, Miss Adams, has a little trouble overcoming an inadvertent smirk at the beginning, but she soon...
Leading the group was Cadet Col. Daniel A. Kavanaugh. Others were: Douglas K. Boyd, Thomas Campbell, Sidney L. Cimmet, Robert J. Donahue, Carl A. Goldman, Richard E. Goldsmith, Michael Lay, John W. McNealy II, David W. Maher, Usher A. Moren, George M. Notter, Jr., Howard P. Smith, and Robert B. Stimpson...
Contrast Miss Scott's great persuasions against the limitations of the HDC's Lady Sneerwell and you see why the play's balance has been upset. Mary Anne Goldsmith only now and then gives signs of the genuine, luxuriant wickedness which marks Sneerwell. For this wholesale slandering, the production looks to Elinor Fuchs as Mrs. Candour. Looking like a malignant Bea Lillie, Miss Fuchs deals in double-dealing, and very adroitly. Andre Gregory, as the hypocritical Joseph Surface, matches Miss Fuchs' high standard of lowness and holds his own in the fast company of Scandal's College...