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Word: goldwyn (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

Bulldog Drummond (Samuel Goldwyn). Another all-talking photograph of an old play is kept from being all talk by the intelligent acting of Ronald Colman. What does the bored British officer with the poetic eyes and the little mustache do when the gang catches him? Does he fight his way out for the sake of the lovely girl whose uncle is held captive in a house where anything might happen? You are quite safe in feeling assured that in all circumstances such an officer will behave as gallantry prescribes. Best shot: the effect of the fall of a spoon...

Author: /time Magazine | Title: Cinema: The New Pictures May 20, 1929 | 5/20/1929 | See Source »

Desert Nights (Metro-Goldwyn-Mayer). Bigger than the Sahara or than the sandy bottoms of all the oceans in the world is the desert of John Gilbert's new picture. It is the Great Film Desert across which, since the beginning of cinema, thirsty actors have tottered carrying beautiful women...

Author: /time Magazine | Title: Cinema: The New Pictures May 20, 1929 | 5/20/1929 | See Source »

...room. The other tunes a violin, giving the excuse: "Not enough time to practice at home." Libby Holman, that singing girl who improves so tremendously on Helen Morgan, has a full-throated Harlem sonata, "Moanin' Low." Most of the lyrics were written by nimble-witted Howard Dietz, Metro-Goldwyn-Mayer's publicity man. His "theme" song: Hammacher-Schlemmer* (I Love You). The Grand Street Follies have always depended largely on protean Albert Carroll, impish imitator of the grimaces and posturings of famed actresses. In this latest edition−a mockery fest which simultaneously jibes at world history, actors...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: May 13, 1929 | 5/13/1929 | See Source »

...Voice of the City (Metro-Goldwyn-Mayer). Irish love in a garret pads the complicated and somewhat disconnected framework of this story of a prisoner's escape and revenge. The old-line stage detective who is disagreeable until the last minute is played with remarkable gusto by Willard Mack, who also directed and wrote the picture. After the first performance in Manhattan, the following tribute appeared in an advertisement in the N. Y. World: "The Voice of the City . . . would fit any medium but is best as a talkie. . . . (signed) Willard Mack." Best shot: a living corpse dangling from...

Author: /time Magazine | Title: Cinema: The New Pictures May 13, 1929 | 5/13/1929 | See Source »

Horn. No U. S. insurance company would underwrite personnel and equipment of the Metro-Goldwyn-Mayer company going into African jungles to make a picture of the reminiscences of Trader Horn...

Author: /time Magazine | Title: Cinema: Variations May 6, 1929 | 5/6/1929 | See Source »

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