Word: goldwyn
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Dates: during 1930-1939
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...Great Ziegfeld (Metro-Goldwyn-Mayer). According to the curious credo of the U. S. theatre, the late Florenz Ziegfeld Jr. was an amalgamation of P. T. Barnum, Lucullus and St. Francis of Assisi. combining the advantageous features of all three, while the musical shows he produced were prodigies of good taste, imagination and romantic ingenuity. The Great Ziegfeld perpetuates this questionable legend with characteristic Hollywood insistence...
Florenz Ziegfeld did some first-rate glorifying in his long and spectacular career as producer of musical extravaganzas but never did he attain the dizzy height of opulent glorification which Metro-Goldwyn-Mayer have reached in their three-hour film biography of "The Great Ziegfeld," which is now running at the Colonial Theatre. In comparison with this musical of musicals previous super-productions fade to the class of colossal on a small scale...
From the opening blare of trumpets (8.20) to the final tear-laden fadeout (11.29) the picture maintains a level of fabulous lavishness which bears aureate witness to the accepted rumor that the Goldwyn boys spent $500,000 an hour on this supreme effort. The saga of Ziegfeld commences at the Chicago World's Fair, where the master is offering the muscles of the mighty Sandow. Even at this early stage in his development "Ziggie" realizes that his main theme is a rhapsody on the theatrical potentialities of the female form. He brings Anna Held to America and makes...
...Unguarded Hour (Metro-Goldwyn-Mayer) is an elaborate demonstration of the not particularly startling hypothesis that any man's life contains moments when his whereabouts, if later questioned, would be hard to prove. Lady Dearden (Loretta Young) agrees to pay a blackmailer ?2,000 for letters written by Sir Alan Dearden (Franchot Tone) to his onetime mistress. At her rendezvous with the blackmailer Lady Dearden encounters two tourists. When, with Sir Alan Dearden as prosecutor, one of the tourists goes on trial for pushing the other one off a cliff, this chance meeting makes Lady Dearden a key witness...
...private empire called New Helvetia, lost it when nuggets in his millstream started the gold rush and spent his last years begging Congress for restitution-came to the attention of Universal in 1928. The studio bought it as a vehicle for Jean Hersholt. When Hersholt left to join Metro-Goldwyn-Mayer, the picture was postponed. In 1934 Director Howard Hawks worked on the story with Screenwriter Gene Fowler. In 1935 Universal made overtures to Charles Laughton to play the lead, but Laughton went to MGM for Mutiny on the Bounty. By last autumn Edward Arnold was signed to play...