Word: goldwyn
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Dates: during 1930-1939
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Wife v. Secretary (Metro-Goldwyn-Mayer) is a grimly stereotyped investigation, without novel outcome, of the banal situation indicated by its title. Adapted by Norman Krasna, Alice Duer Miller and John Lee Mahin from a Faith Baldwin story, acted by Clark Gable, Myrna Loy (wife) and Jean Harlow (secretary), it is patently destined to be, for its producers, if not for their more civilized customers, one of the most profitable pictures of the year...
Distrustful of all change, Hollywood was not sufficiently impressed by Becky Sharp to do more than wait watchfully for the plunge into color which the industry admits is eventually inevitable. The Trail of the Lonesome Pine may be the starting gun. Producers Sam Goldwyn, David Selznick, Alexander Korda, Darryl Zanuck and Walter Wanger, who last week transferred his producing company from Paramount to United Artists, all have one color production on their current schedules; Pioneer Pictures, Inc. has four. Last week when The Trail of the Lonesome Pine broke records for an opening night at Manhattan's Paramount Theatre...
Bugle Ann (Metro-Goldwyn-Mayer). Night after night when dampness has flushed the black-dark woods and scents are strong and clear, hounds run in Missouri. Practicing one of the oldest U. S. sports, their masters sit around bonfires in convenient clearings, following the hunt of their bugle-voiced foxhounds by ear alone. Of this breed was Bugle Ann, a real bugler, rare even among its own kind, about which MacKinlay Kantor wrote his short best-selling novel, played in the picture by a prize bitch from the pack of Sheriff Tom Bash of Kansas City, Mo. Bitch...
Rose Marie (Metro-Goldwyn-Mayer) is based on the sound assumption that cinemaudiences will pay little attention to plot and trimmings if they can hear Jeanette MacDonald and Nelson Eddy in full voice. To this end, Rose Marie producers resurrected the highly successful operetta of 1924, added some new songs, framed it in magnificent scenery, let the two leads shift for themselves. Acting with considerable charm, and bursting frequently into song in the midst of Canadian wilds, Miss MacDonald and Mr. Eddy should provoke an even greater box-office triumph than by their first effort, Naughty Marietta. Marie de Flor...
What makes Strike Me Pink slightly superior to its more recent predecessors in the series of pictures made by Cantor and Goldwyn is not so much the elaborate production numbers, in which the Goldwyn Girls function as decoratively as usual, but the activities of an animated young woman named Ethel Merman. Long familiar to Manhattan stage audiences, Ethel Merman's previous cinema appearances have been trifling and unimpressive. In Strike Me Pink, cast as a cabaret entertainer who nearly demolishes Eddie Pink's romance with a wholesome blonde (Sally Eilers), she comes into her own, sings all three...