Search Details

Word: goldwyn (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

Last week William Fox, that bald and beady-eyed onetime magnifico of cinema, sprang at his adversaries in eleven directions at once. Alleging ''great and irreparable loss, damage and injury," he entered suit in Manhattan for injunction and accounting of profits against Metro-Goldwyn-Mayer Corp., M-G-M Distributing Corp., Columbia Pictures Corp., Consolidated Film Industries Inc., First Division Pictures Inc., Universal Pictures Corp., Monogram Picture Corp., Reliance Picture Corp., Talking Picture Epics Inc., Twentieth Century Pictures Inc., and Ameranglo Corp...

Author: /time Magazine | Title: Cinema: Loss, Damage, Injury | 10/29/1934 | See Source »

What Every Woman Knows (Metro-Goldwyn-Mayer) is that many a wife is responsible for her husband's success. The neat and genial comedy in which Sir James Barrie expressed this sentiment was first produced in the U. S. in 1908 with Maude Adams playing the lead, revived in 1926 for Helen Hayes. Helen Hayes has the same part in the cinema version- that of Maggie Wylie who marries a solemn young Scot against his will, helps him get elected to Parliament, manages his career for him so unobtrusively that he considers his accomplishments inspired by a glamorous outsider...

Author: /time Magazine | Title: Cinema: What Every Woman Knows | 10/29/1934 | See Source »

...Merry Widow (Metro-Goldwyn-Mayer) is the third and by far the best cinema version of Franz Lehar's famed operetta. The first was a two-reel monstrosity in which the late Alma Rubens and Wallace Reid performed in 1912. In 1925 Erich von Stroheim directed Mae Murray and John Gilbert in the second. Cinemaddicts who have seen all three are likely to find the current version, directed by Ernst Lubitsch, as far superior to the second as the second was to the first. Only the most captious critics could find any fault with a picture which fairly entranced...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 22, 1934 | 10/22/1934 | See Source »

...Stroheim Merry Widow, like the original operetta, concerned a Prince Danilo. The real Prince Danilo of Montenegro sued Metro-Goldwyn-Mayer for libel, collected $4,000 in a Paris court. Well aware that 63-year-old Prince Danilo, living modestly near Nice, must have pricked up his ears when Metro-Goldwyn-Mayer paid Princess Youssoupov $250,000 & costs for libelously dipping into the history of Russia and Rasputin (TIME, March 12; Aug. 20), Metro-Goldwyn-Mayer took no chances with this new version of The Merry Widow. In addition to demoting the Prince to a Captain, they were careful...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 22, 1934 | 10/22/1934 | See Source »

Chained (Metro-Goldwyn-Mayer) ends with a scene on an Argentine cattle ranch where Mike Bradley (Clark Gable), Yale 1926, is living with his divorcee bride, Diane (Joan Crawford). Diane opens a letter from the husband (Otto Kruger) she has just deserted and says to Mike: "Richard has gone to Maine for the summer." Mike Bradley's reply is intended to reveal him as a young man of generous and perceptive sentiments. "That's great," he says. "We'll send him some fancy beef for a barbecue...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 10, 1934 | 9/10/1934 | See Source »

Previous | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | Next