Search Details

Word: goldwyn (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

Storm at Daybreak (Metro-Goldwyn-Mayer). What would have become of Hollywood without the War is appalling to imagine. When gangsters, showgirls, Broadway colyumists and the inmates of reformatories are momentarily exhausted, there is always the Archduke Ferdinand and the affair at Sarajevo. With this as a starting point, Storm at Daybreak relates the tragic romance of a man who falls in love with his best friend's wife, played to the limit against an Austro-Serbian background and splendidly directed by Richard Boleslavsky...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 17, 1933 | 7/17/1933 | See Source »

Midnight Mary (Metro-Goldwyn-Mayer) is another sample of Hollywood's current investigation of the beneficent effect of penal institutions on their adolescent inmates. Mary (Loretta Young), like Constance Bennett in Bed of Roses and Jean Harlow in Hold Your Man, is an alumna of the reformatory but she has a law-abiding nature. When aiding her accomplice Leo (Ricardo Cortez) to rob a cabaret, she saved a handsome young patrician named Tom Mannering Jr. (Franchot Tone) from being murdered. He rewards her with a job in his law office. She is already affianced to her employer when sent...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 10, 1933 | 7/10/1933 | See Source »

...current revival of cinemas with music, Warner Brothers, who claim that they started the cycle with 42nd Street and Gold Diggers of 1933, favor backstage romances, staged with super-Ziegfeldian extravagance. Samuel Goldwyn surrounds Eddie Cantor with girls and animals. Universal, sceptical of the new vogue, was last week completing a cheap ($100,000) cinemusicomedy, partly financed by two Manhattan shoestring producers and produced at Paramount's Long Island lot, which has been disused for two years...

Author: /time Magazine | Title: Cinema: Musicomedies of the Week | 7/3/1933 | See Source »

...themselves into the outline of an immense bull fiddle. Good shot: Guy Kibbee's alarm when he looks in a mirror and detects a resemblance between his own face and that of a chorus girl's Pekinese, which he is holding under his arm. The Nuisance (Metro-Goldwyn-Mayer). No actor in Hollywood is more adept than Lee Tracy at characterizations of likable rogues. This time he is an ambulance chasing shyster, aided by a dipsomaniac doctor (Frank Morgan) and a collapsible assistant named Floppy (Charles Butterworth) whose duty it is to fall down in front of moving...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 5, 1933 | 6/5/1933 | See Source »

...Kiss Before the Mirror has a smooth surface, good acting and a compactly organized, if tricky, story. It lacks action and emphasis. Good shot: Dr. Held listening with growing interest to his wife's tirade at him for mussing her hair. The Barbarian (M e t r o-Goldwyn- Mayer) contains a personage whose type used to be almost as important in the cinema as the cowboy whom he helped to supplant. He is a sheik wearing a romantic turban, bedsheets and a polite but hungry leer. His name is Jamil (Ramon Novarro) and he is first seen functioning...

Author: /time Magazine | Title: Cinema: The New Pictures: May 22, 1933 | 5/22/1933 | See Source »

Previous | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | Next