Word: goldwyn
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Dates: during 1930-1939
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...Parade (Metro-Goldwyn-Mayer) is an honest and clever adaptation of Upton Sinclair's sloppy tract on Prohibition (TIME, Sept. 28). Without the radicalism of its original, it delineates the evils of drink and shows, without partiality Wet or Dry, that guzzling to excess brings misery. The heroine (Dorothy Jordan) is the daughter of a charming but besotted Southern gentleman (Lewis Stone). His suicide and the inherited alcoholism of her brother are enough to make her drink shy. She has an even better reason. In Manhattan, where she finds her brother drunk in a hotel, she meets a youth...
...Beast of the City (Metro-Goldwyn-Mayer). Partly because of protests from the Hays organization, 1932 gangster pictures will show criminals as craven rather than heroic. Cinema police, like Walter Huston in this picture, will be clever and courageous instead of timid nincompoops. But it is unlikely that even these thoughtful improvements will instill respect for law & order into cinemaddicts so long as the underworld, however deplorable, is displayed as brilliantly efficient. In this picture, almost all the admirable members of the police department of an anonymous city are destroyed in their effort to capture one small nest of desperadoes...
...Passionate Plumber (Metro-Goldwyn-Mayer). The combination of Jimmy Durante and Buster Keaton in this picture (faintly derived from Her Cardboard Lover, which Leslie Howard and the late Jeanne Eagels acted on the stage) works out well. Durante is worried about his huge and remarkable nose. The nose is worried by the other characters who tweak it, pinch it, slam doors against it. Durante is an urbane but eccentric chauffeur who speaks French with a Brooklyn accent. He gets a chance to use his favorite word when Polly Moran, as a maidservant, rebuffs him with the door. ''You may think...
...likely to pick something insignificant, to be sure that the merits of his performance outweigh the rest of the entertainment. When two celebrated actors select a vehicle, they are likely to have a hard time finding one which will suit this requirement for both of them. Arsene Lupin (Metro-Goldwyn-Mayer) can therefore be considered a triumph of selection and adaptation. It gives both Barrymore brothers, Lionel and John, parts of almost equal importance and allows each to perform his specialty without stealing the play from the other. Lionel is Guerchard. a growling, hobbling, blinking chief of detectives whose duty...
Polly of the Circus (Metro-Goldwyn-Mayer) is a product of that school of cinematic thought which believes that all ministers of the gospel should be wholesome, naïve souls whose love is pure, and that all low-born theatrical folk promptly speak correct English as soon as they take to reading the Bible and consorting with the proper people. The picture might have been interesting because it brought together for the first time Marion Davies and Clark Gable (with the latter's name in larger type in all press advertisements except in Hearstpapers). But the combination contributes...