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...record industry, which is not finding the livin' in the singles market easy, hopes to ease some of its pain this summer with massive LP infusions of George Gershwin, massively publicized by a full throated chorus of movie and record company pressagents. With Samuel Goldwyn's Porgy and Bess about to be released, the record makers have pressed nearly 30 Porgy albums, ranging in style from Overstuffed Country Club to Tubular Cool. Columbia has issued excerpts from the sound track with Cab Calloway dubbed in as Sportin' Life in place of Sammy Davis Jr., who sings...

Author: /time Magazine | Title: Music: Here Come de Honey Man | 6/22/1959 | See Source »

...organizes high-sounding discussions on his Open End show. Says his wife: "It's his Alexander the Great complex." Although, at 38, Susskind is undoubtedly TV's most successful dramatic producer, the complex keeps him going. "I want to have my own marquee value, like Sam Goldwyn and Cecil B. DeMille," he says. "Then I wouldn't always have to bother about getting big stars for every show. If people accepted it as a Susskind production, that would be ideal...

Author: /time Magazine | Title: Show Business: Producer's Progress | 5/4/1959 | See Source »

Telling Hollywood's fortune is a tricky job that depends on the angle at which one leans over the crystal ball-and everyone in Hollywood has an angle. "Conditions in the movie industry," says redoubtable Independent Producer Sam Goldwyn, "are worse than I have ever known them in the 47 years I have been connected with motion pictures." Says Paramount Pictures Chairman Adolph Zukor: "The future of motion pictures has never been brighter." Last week Hollywood could split the difference, find plenty of signs that the movie industry, for all its problems, is healthier than it has been...

Author: /time Magazine | Title: ENTERTAINMENT: Script for Success | 4/27/1959 | See Source »

...only reason for the cutback in movies at all," says Metro-Goldwyn-Mayer's boss, Sol C. Siegel, "is that we will not make pictures for the sake of making pictures any more." TV has killed the routine movie for most people (who can watch all the routine movies they want to on TV), forced Hollywood to concentrate on blockbusters-the big-screen, big-star, big-color extravaganzas that often cost upwards of $3,000,000. The blockbusters have no trouble luring people away from TV, are the favorites of the drive-in theaters, which have grown from...

Author: /time Magazine | Title: ENTERTAINMENT: Script for Success | 4/27/1959 | See Source »

Europe-bound aboard the Queen Mary, Negro Cinemactress Dorothy Dandridge, who has finished her chores as Bess in Sam Goldwyn's forthcoming movie version of Porgy and Bess, hoisted the conventional pretty wave for the flashbulbs on the day of a proud revelation: her engagement to Jack Denison, white proprietor of a Hollywood supper club...

Author: /time Magazine | Title: People, Apr. 6, 1959 | 4/6/1959 | See Source »

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