Word: goldwynism
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Elsewhere in Wonderland arose the question of cinemacting's importance in total war. Raising the question was Metro Goldwyn-Mayer, who appealed the i-A draft classification of Mickey Rooney-first such appeal made by the industry. Grounds: he is an essential worker in an essential industry. Rooney's mother made it plain that her son was not doing the appealing himself. "It is true that he is only five feet tall, and has been bothered with heart flutter and high blood pressure," said she, "but Mickey wouldn't try to dodge his classification." Said Mickey...
Monty Wooley is funny because he throws rocks at little children; Dorothy Parker is funny because she didn't go to Vassar; but Bob Hope is funny because everything he says or does or thinks turns out to be a boomerang, with him at the gag end. In Sam Goldwyn's latest celluloid, Hope has Leonard (Flyman Keplan) Ross' script to play with, and it turns out to be much more spontaneous any of the slightly forced travelogue series...
Monty Woolley is funny because he throws rocks at little children; Dorothy Parker is funny because she didn't go to Vassar; but Bob Hope is funny because everything he says or does or thinks turns out to be a boomerang, with him at the gag end. In Sam Goldwyn's latest celluloid, Hope has Leonard (Hyman Kaplan) Ross' script to play with, and it turns out to be much spontancous than any of the slightly forced travelogue series...
...enclose herewith Hollywood's version of TIME'S Mussolini. The actor is Joe Devlin, New York born, of Irish antecedents. . . . WILLIAM HEBERT Samuel Goldwyn Inc. Los Angeles...
...Metro-Goldwyn-Mayer). Jo Hayden (Judy Garland), Jimmy Metcalfe (George Murphy) and Harry Palmer (Gene Kelly) have one thing in common: they are smalltime song-&-dancers whose hearts are set on one day appearing at that Pantheon of U.S. vaudeville, The Palace. Jimmy is a sort of Irish George Raft, who loves Jo. Jo is a surprisingly sweet young girl, who unfortunately loves Harry. Harry is a dangerous but successful novelty in musicomedy: a character who begins as a squirrel-collared masher and winds up, without too much grinding of gears, as a hero. In the course of this cinemetamorphosis...