Word: goldwynism
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Bridal Suite (Metro-Goldwyn-Mayer), all about the playboy (Robert Young) and the Alpine maid (Annabella), may, as its producers claim, suggest how Annabella captured Tyrone Power (TIME, May 1), but is nonetheless a very bad picture...
Tell No Tales (Metro-Goldwyn-Mayer). A fine Negro wake and a good bit by Gene Lockhart as a gambler, stuck in a stale story about a crusading editor (Melvyn Douglas) who confounds the underworld...
...Metro-Goldwyn-Mayer, mighty producing subsidiary of Loew's Inc., promised to spend $42,500,000 on 52 pictures, another $2,500,000 to advertise them. Headliners: Sinclair Lewis' It Can't Happen Here (shelved in 1936); The Wizard of Oz in Technicolor; Northwest Passage with Wallace Beery, Spencer Tracy and Robert Taylor; Quo Vadis?; The Women with Norma Shearer and Joan Crawford. M-G-M will also release Producer David O. Selznick's Gone With the Wind. Biggest M-G-M questionmark is fox-faced Hedy Lamarr, who after seven months of grooming...
United Artists Corp., founded 20 years ago to distribute pictures for independent producers, is today a relatively small pond full of big fish. Biggest fish is Samuel Goldwyn (né Goldfish), who has owned U. A.'s studios since 1935 and last week renamed them the Samuel Goldwyn Studio. Producer Goldwyn proposes to make Music School, with Violinist Jascha Heifetz, and The Real Glory, with Gary Cooper. Other U. A. producers and their promises: Charles Chaplin, The Dictators; David Selznick, Rebecca, directed by Alfred Hitchcock; Alexander Korda, five Technicolors, including two with his East Indian Mickey Rooney, Sabu; Walter...
Lucky Night (Metro-Goldwyn-Mayer). Bad luck for Myrna Loy and Robert Taylor, gummed up in a sticky-silly version of the story about a couple who get acquainted, drunk, married...