Word: goldwynism
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...when a scout saw him in Journey's End at Pomona College, which graduated him in 1933. A matinee idol and shopgirls' delight from the beginning, he got off on the wrong foot when critics dubbed him "Beautiful" Robert Taylor. To counteract this tendency, his studio, Metro-Goldwyn-Mayer, put him in one two-fisted role after another, swaddled him in he-man publicity. One day last week, Spangler Arlington Brugh took matters into his own hands...
Goodbye, Mr. Chips (Metro-Goldwyn-Mayer) is a lovingly faithful picturization of the novelette by James Hilton that gave Alexander Woollcott such a good cry five years ago. Like the book, it is sentimental in the precise sense: it exploits emotions which, reduced to propositions, most people would reject as false-e.g., that failure is somehow preferable to success. Shrewdly directed by Sam Wood, the cinementor of the Marx Brothers, Goodbye, Mr. Chips goes out for tears as unscrupulously and efficiently as those merry-andrews go out for laughs...
...Catholic Bishop James Hugh Ryan dispensed his flock from eating fish on Friday. Fearing that its press-agentry would be submerged in the civic celebrations, Paramount loaded Barbara Stanwyck and some of Union Pacific's cast (but not Joel McCrea, under contract to jealous and immovable Producer Samuel Goldwyn) on a train which triumphantly journeyed from Los Angeles, was mobbed even at unscheduled stops along its 1,800-mile route by exuberant crowds, many of whom sported whiskers and 1869 costumes...
...reduced to grim hints that flicker like summer lightning from afar, the film has caught that quality in the story that surpasses time or place. Tragedy, stark as the Yorkshire moors that are its scene, is the theme of "Wuthering Heights"; and not a punch has been pulled in Goldwyn's cinema version of this dank offshoot of nineteenth-century Romanticism. Especially convincing in the early scenes, Merle Oberon and Lawrence Olivier run the full course of Cathy's and Heathcliff's passion. Mr. Olivier is particularly good as the gypsy lover, catching all of that character's mysterious...
Cinema, always the most open-handed U. S. industry, outdid itself in 1937. Metro-Goldwyn-Mayer Corp. alone paid 240 salaries of $15,000 or more, and M. G. M. and its parent company, Loew's Inc., paid the two biggest salaries of all: $1,296,503 in salary and bonus to Production Executive Louis B. Mayer, $694,123 to Loew's Vice President J. Robert Rubin. Loew's President Nicholas M. Schenck got $489,602. Highest paid performers: Actress Greta Garbo, $472,499; Actor Fredric March (who deserted Hollywood for Broadway...