Word: goldwynism
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Marie Antoinette (Metro-Goldwyn-Mayer). Married at 14 to the fat grandson (Robert Morley) of Louis XV (John Barrymore), Marie Antoinette (Norma Shearer) is bored by court life, with a prince too sluggish to produce an heir. She takes to running about town with the sinister Duc d'Orleans (Joseph Schildkraut), a procedure which leads to a chance meeting with a young Swedish nobleman. Count Axel Fersen (Tyrone Power). Axel and Marie do not hit it off very well at first but a year or two later -just after Marie has made the King angry by calling Madame...
...Chaser (Metro-Goldwyn-Mayer). Remake of a 1933 exposé of ambulance-chasing lawyers-notable, if at all, for Lewis Stone's performance as the shyster hero's whiskey-toping doctor...
...would draw a share of profits instead of a salary. Last week the Selznick system of cinematic share cropping showed signs of becoming a definite trend. Agent Selznick announced that Carole Lombard and William Powell had agreed to act in pictures on the same sort of terms. Producer Sam Goldwyn followed suit with a statement that Writer Robert Riskin (It Happened One Night, Mr. Deeds Goes to Town, You Can't Take It With You), longtime collaborator of Columbia's Director Frank Capra, had agreed to write pictures for him on the same basis...
...cottage at Malibu Beach, send two of their three children to the U. C. L. A. nursery school. Capra's present contract at Columbia calls for one more picture. A major subject of current Hollywood gossip is whether, now that Writer Riskin has left Columbia to join Sam Goldwyn, Director Capra will follow him next year...
Love Finds Andy Hardy (Metro-Goldwyn-Mayer). Fourth item in MGM's lively series on the homely, 100% American problems of the Hardy Family, Love Finds Andy Hardy rises above the standard not only of its predecessors but also of most of its producer's most expensive features. Its numerous faults-the assiduous overacting of Master Mickey Rooney, frequent instances in which bread-&-butter comedy falls butter side down, a misbegotten musical number for a climax-serve mainly to emphasize its cardinal virtue, of preserving intact the mood and flavor of ordinary life in an ordinary...