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Bouquets to the supporting cast, to Alfred Newman for his powerful score, to Nordoff and Hall for their splendid story, and especially to Producer Goldwyn for his "touch" and for his perspicacity in building a splendidly effective set which he proceeds to tear down with even greater effectiveness...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/19/1937 | See Source »

Dorothy Lamour (Jungle Princess, High, Wide and Handsome), lithe but unathletic, was publicized by Paramount, which loaned her to Goldwyn for Hurricane, as a jungle-woman who lived on bananas, coconuts, papayas. A monkey and a leopard were planted in her apartment, over her protests, until the monkey got loose, so disturbed other tenants that police were called. Miss Lamour (nee Slaton), 22, has never been nearer a jungle than the isthmus at Catalina Island, where parts of Hurricane were filmed. She is a 5 ft. 5 in., 117-lb., healthy, heavy-lipped New Orleans girl who won a beauty...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 15, 1937 | 11/15/1937 | See Source »

...palpable success of Mr. Goldwyn's gamble on his two "discoveries" is due partly to their own able performances, partly to the skillful production of bald, burly Associate Producer Merritt Hulburd, partly to the inherent soundness of the story by Charles Nordhoff and James Norman Hall. Their hero, Terangi (Jon Hall), has been happy all his life because he has been free and healthy. His boss, Captain Nagle (Jerome Cowan), gave him a blue cap when he made him first mate of the fishing schooner; after that Terangi was happier than ever. His happiness reached a vivid, lyric pinnacle...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 15, 1937 | 11/15/1937 | See Source »

Special effect Specialist James Basevi (San Francisco) learned from hurricane survivors that hurricane sounds vary according to the shape and solidity of objects in the path of the wind. Scale models of buildings and trees were placed in a governed wind stream, and the differing effects recorded. Then Goldwyn engineers stepped up the recording pitch by the same ratio that existed between the scale models and the actual set, got the authentic sound of wind velocities as high as 250 m.p.h...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 15, 1937 | 11/15/1937 | See Source »

Associate Producer Hulburd bought Hurricane for $60,000. In due time a friendly letter came from Authors Nordhoff & Hall. They were mightily pleased to know that he had bought their story, they said, because Metro-Goldwyn-Mayer had made such an admirable job of Mutiny on the Bounty. Samuel Goldwyn has never been connected with...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 15, 1937 | 11/15/1937 | See Source »

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