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Come and Get It (Samuel Goldwyn) gives Actor Edward Arnold, recently seen as Diamond Jim Brady and General John Sutter, another subject for his full-length screen portraiture of hearty, colorful U. S. types. Lifted this time from Edna Ferber fiction instead of history, the subject is Bernard Glasgow, Wisconsin lumber millionaire. The result, against a background first of lumber camps and small-town saloons, later of early 20th-century urban plutocracy, is an extraordinarily warm and lively picture of one of the few romantic aspects of the U. S. which the cinema has so far neglected...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 16, 1936 | 11/16/1936 | See Source »

After spending a reputed $200,000 in preparations, Metro-Goldwyn-Mayer last February abandoned its film version of It Can't Happen Here, a best-selling novel of 1935 in which Sinclair Lewis showed how a Fascist dictatorship might come to the U. S. Indignant Mr. Lewis thereupon offered the play rights to WPA's Federal Theatre Project, which went ahead with plans to produce the play simultaneously in a score of cities all over the nation. It was agreed that Nobel Prizewinner Lewis and his collaborator, Paramount Writer John C. ("Jack") Moffitt, should divide royalties...

Author: /time Magazine | Title: The Theatre: WPA, Lewis & Co. | 11/9/1936 | See Source »

...Ritz Tower Hotel, where she collects coins, miniature paintings and small-sized dachshunds (she now owns 18), were not satisfied by her explanation that she wanted "the smell of the sawdust." But her future plans told more. This winter she hopes to make the opera Manon for Metro-Goldwyn-Mayer, to sing weekly for the Coca-Cola radio program, and next spring to be a guest artist at the Coronation Concerts in England...

Author: /time Magazine | Title: Music: Debutante | 11/9/1936 | See Source »

Like Metro-Goldwyn-Mayer's Romeo and Juliet, the Czinner As You Like It is textually exact. Sir James Barrie made the treatment from which Screenwriter R. J. Cullen wrote the scenario. Said Cinemactress Bergner: "I would like you to believe that we have made the film with love and with reverence. " . . We have had slightly to cut one or two of the longer speeches, but every word that we have left out has only been left out after argument, quarreling, and occasional tears." To highlight his wife's performance, Director Czinner saw to it that other roles...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 9, 1936 | 11/9/1936 | See Source »

...Michael Schenck, chairman of Twentieth Century-Fox Film Corp., seated appropriately on a hotel divan between his brother, President Nicholas Michael Schenck of Loew's, Inc., and the president of Gaumont-British, Isidore Ostrer, announced a three-way Gaumont deal (TIME, Aug. 3). Nick Schenck's Metro-Goldwyn-Mayer, Loew's production subsidiary, was going to buy one-half of Twentieth Century-Fox's minority interest in the Gaumorit-British holding company. This was to be followed by a complicated reshuffle of shares be tween the Brothers Schenck, Isidore Ostrer and his numerous brothers, by which...

Author: /time Magazine | Title: Business: In Golden Square | 11/2/1936 | See Source »

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