Word: goldwynism
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...after Tom Cruise suffered an ugly brushoff from his long-time studio home Paramount Pictures, the sidelined star has done what any self-respecting, really, really, really rich and famous guy would do - he got his own movie studio, and one with a storied Hollywood pedigree at that. Metro-Goldwyn-Mayer Inc. (MGM) has announced a deal with Cruise and his production partner, Paula Wagner, to relaunch the United Artists studio (UA), the company founded by Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith in 1919 and responsible for such iconic film franchises as James Bond and Rocky...
...messy divorce case, with her husband publishing parts of her diary that described bedroom details of her affair with playwright and director George S. Kaufman. (She had breathlessly described Kaufman's "incredible powers of recuperation" - back then, even sex scandals had a touch of literary elegance.) Sam Goldwyn, who had his own studio, stood by Astor and allowed her to return to the film she had been making, the immortal Dodsworth. Her career continued for another quarter century, though she now played women with a darker allure, like Bogart's femme fatale in The Maltese Falcon...
Honey. That word describes the tenor of both her voice and her roles. In 12 years as a star at the lion of studios, Metro-Goldwyn-Mayer, and for decades afterward, June Allyson purred sweet reason to the prime men of her era: Jimmy Stewart (in three movies), Humphrey Bogart (in Battle Circus), William Holden (Executive Suite) and her husband, Dick Powell. Other women might get the showy parts, and the Oscars. Allyson, in her movies, got the wedding ring. And from her fans, she received the Photoplay Magazine citation as 1954's Most Popular Female Star...
Directed by Noah BaumbachSamuel Goldwyn Films4 stars Many filmgoers will likely have an urge to compare Noah Baumbach’s new film, “The Squid and the Whale,” to Wes Anderson’s cult classic, “The Royal Tenenbaums.” The comparison isn’t entirely unjustified: both films chronicle the disintegration of elite New York City families headed by vain and delusional patriarchs. Also, Baumbach and Anderson are collaborators—Baumbach co-wrote Anderson’s 2004 film “The Life Aquatic With...
...Silberman in this examination of the past, present and potential futures of American Jews--one of the most thorough journalistic surveys of American Jewish life ever published. Actors who wound up in Hollywood got camouflage names whether they wanted them or not. While pioneer moviemakers like Harry Cohn, Samuel Goldwyn, Louis B. Mayer and Adolph Zukor retained Jewish-sounding names, they were "determined to avoid any hint of Jewishness in the films they created." Some notables avoided this identification so assiduously they seemed downright anti-Semitic. Walter Lippmann did so, refusing to become a member of (or even give...