Word: goldwynism
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Wonder of Women (Metro-Goldwyn-Mayer). By thoughtful creation of character this film avoids being a restatement of one of the standard generalities about people with artistic temperament. It is adapted from Sudermann's The Wife of Stephen Tromholt and the outlines of the original story, even its tragic ending, have been intelligently adhered to. Lewis Stone is the composer who marries a poor widow with three children and who sticks to her in spite of his attraction to a younger woman. Peggy Wood is his wife. Stone leaves her once, then comes home, acknowledges his responsibility. Five years later...
William Fox, cineman, was hurrying out Long Island to keep golf appointment with Cinemen Adolph Zukor (Par-amount-Famous-Lasky) and Nicholas Schenck (Metro-Goldwyn-Mayer), and Cinemactor Thomas Meighan, when his Rolls-Royce collided with a car driven by a Miss Dorothy Kane, overturned, killed the Fox chauffeur, injured Cineman Fox badly. A blood transfusion (one pint) was administered...
...attention without having stopped enjoying it. Director Bretherton arranged the story very smoothly. Betty Compson, and an unknown, dark-haired young man named Grant Withers play opposite each other. Assorted sound-shots: a crowd at a football game, a college dance where everyone sings, a stock ticker. Thunder (Metro-Goldwyn-Mayer). Lined and grey, smeared with oil, misty with sentiment under its visored cap, the face at the window of the enginecab is Lon Chaney's. Coincidence turns the wheels. The engineer has two sons. One of them is killed. Lon Chaney, driving the train carrying the body...
...report that members of the Comédie Française were to make talking cinemas for U. S. producers. French cinema exhibitors worried more over the news that all representatives of U. S. producer-members (Paramount-Famous-Lasky, Warner Bros., Fox, United Artists, Universal, Radio-Keith-Orpheum, Metro-Goldwyn-Mayer) of the Cinema Syndicate de France were resigning in protest over the new French law, effective in September, limiting the importation of foreign-produced films to four for each French film exported...
Florenz ("Follies") Ziegfeld Jr. let it be known last week that he and Cinemagnate Samuel Goldwyn had formed the Ziegfeld-Goldwyn Corp., which would start next January to produce "talkies" with the Ziegfeld tang and glamor, the Goldwyn experience. Said Mr. Ziegfeld: "I am going to do for the screen what I have done for the stage." Of the stage he said: "There is too much dirt and nakedness in revues nowadays, and the public is about fed up on them. . . . The sketches now used as black-outs? are the sort that in pre-Prohibition days found their origin...