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Twenty years later, Behrman encountered Howard in Hollywood and inquired after the whereabouts of the Prize-winner, whose name he had forgotten. "Oh, I saw him just last week," said Howard. "I went with Sam Goldwyn to Tijuana, and we had just entered a gambling house, when I heard a voice: 'Hello, Sidney!' It was the fellow who won the Castle Square Prize; he was the croupier...

Author: By Peter J. Rothenberg, | Title: Anecdotal Playwright | 3/6/1959 | See Source »

Actually, Belafonte remains proudly self-conscious of being a Negro, turned down the part of Porgy in Samuel Goldwyn's production of Porgy and Bess because he felt that Catfish Row presented Negroes in an undignified light. He talks in analytically flavored prose about "Negro situations" and says: "In 1944, with three other Negro sailors and our dates, I was refused a table at the Copacabana. Nine years later I was back there as the headliner. How do you bridge that gap emotionally?" Asked about his second marriage, to a white girl, he says stiffly that the race question...

Author: /time Magazine | Title: HEADLINERS: Lead Man Holler | 3/2/1959 | See Source »

...describes as public taste. For years, DeMille was Hollywood: he founded one of its first studios in a barn. When he went west from New York in 1913, head of a syndicate that included a struggling vaudeville producer named Jesse Lasky and a glove salesman named Sam Goldfish (later Goldwyn), it was enough that he had the drive and energy to put together The Squaw Man, Hollywood's first full-length flicker, with He-Man Dustin Farnum. By the time DeMille produced his fifth movie, The Man from Home, in 1914, he was a slick showman. He was experimenting...

Author: /time Magazine | Title: HOLLYWOOD: Epic-Maker | 2/2/1959 | See Source »

...Brando? Meanwhile, the Bird is busy with his other charges. Hollywood recognized his belligerent direction behind Director Rouben Mamoulian's recent spat with Sam Goldwyn. (Even Mamoulian does not seem to mind that the publicity-reaping battle cost him the job of directing Porgy and Bess.) And not long ago, Birdwell sold gullible movie columnists the phony yarn that Greta Garbo had expressed an interest in the movie version of Lolita. Director Stanley Kubrick, who is Birdwell's client, is supposed to have ruled Garbo out of Lolita but offered her the part of Marlon Brando...

Author: /time Magazine | Title: Show Business: Rally Round the Flack, Boys | 11/17/1958 | See Source »

...sold a luncheon of 100 fat-cat Southern Californians-Movie Mogul Sam Goldwyn, Movie Monarch Clark Gable, et al.-on stepping up campaign contributions, thus won more TV time. From California to Chicago he warmly endorsed and posed with G.O.P. candidates, signed autographs, turned on pep talks to groups of G.O.P. precinct workers...

Author: /time Magazine | Title: REPUBLICANS: The Leadership Issue (Contd.) | 11/3/1958 | See Source »

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