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...forcefulness of Dirty Hands is matched by the delicacy of the accompanying short--Pantomimes, by Marcel Marceau. Including his now famous "David and Goliath" and the "Butterfly," the film shows how much can be said through silence...

Author: By Robert H. Sand, | Title: Dirty Hands | 4/16/1956 | See Source »

...councilors to an emergency meeting in a café. Early next morning, two inspectors faced a hostile crowd of some 300 shopkeepers in slippers and aprons. "Get out of here," yelled the mob. The inspectors left. Pierre Poujade had found his cause. Poujade wrote later: "It was David against Goliath. It was justice against the inquisition. It was liberty on the march. It was the pure French tradition...

Author: /time Magazine | Title: Foreign News: An Ordinary Frenchman | 3/19/1956 | See Source »

...Goliath and the Bike-Racer. A descendant of the original French aeronauts who bounced from Paris to London in a converted 75-m.p.h. Farman "Goliath" bomber after World War I, Air France was formed in 1933 from five struggling companies. Frenchmen had already pioneered commercial routes through Europe and Africa, flown mail over South American jungles in convoys of three chattering airplanes in order, as one pilot put it, to be sure that "at least one would arrive." The Depression and cutthroat competition forced the small French lines to band together as Air France, 25% government-owned...

Author: /time Magazine | Title: AVIATION: Pegasus a la Francaise | 1/23/1956 | See Source »

GERMAN AUTO BOOM is slowing down as a result of new tariff regulations by other European nations, e.g., Belgium and Sweden. Two big German automakers, Borgward and Goliath, are laying off workers. Giant Volkswagen will cut to a five-day work week early next year...

Author: /time Magazine | Title: Time Clock, Nov. 21, 1955 | 11/21/1955 | See Source »

...series of brilliant pantomimes, he managed to convey with grace and wit the look of a man doing such assorted things as walking a tightrope, mounting and descending a staircase, and catching fluttering butterflies. At his funniest, Marceau mimes both David and Goliath in a tour de force of machine-gun character switches, from the sweet, flute-playing shepherd to the hulking brute and back again, as their historic battle rages. At his perceptive best, in Youth, Maturity, Old Age and Death, he accomplishes in less than three memorable minutes what many a novelist has failed to do in volumes...

Author: /time Magazine | Title: The Theater: Something to See | 10/3/1955 | See Source »

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