Word: golin
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...Produced by Veronica T. Golin ’07 and Stephen T. Volpe ’07, “Autobahn” takes as its stage the front seat of a car; a series of short dramas reveals five couples at critical moments in their relationships. “Autobahn” is a character-driven play in several senses of the word, and its tight focus on the relationships it depicts in each piece results in a truly intense 90 minutes...
...scene to scene but from minute to minute, according to Zalisk. “[Autobahn] integrates, in a way that’s very powerful, moments of great malice, moments of great humor, and moments of tenderness,” says Zalisk. Co-producer and stage manager Veronica T. Golin ’07 adds that the set, which consists of a reproduction of a car’s front half, emphasizes the play’s focus on human relationships. The sparseness of the set augments reality: every facial twitch is front and center and every finger movement...
...times already, and I’ve only been here one night.” But some students praised the increased thickness of the new mattresses. “The mattresses are really comfortable so that makes me care less about the width,” said Veronica T. Golin ’07. About a dozen students have already e-mailed CurrierWire—Currier’s e-mail open list—looking for an additional mattress or a larger replacement. “People are definitely more desperate for double beds lately,” Chelsey...
What to do with a tragedy that’s not that tragic? Shakespeare’s “The Tragedy of King Richard the Second,” produced by Veronica T. Golin ’07 and Jason M. Lazarcheck ’08, which played at the Ex from April 27 to 29, is the story of a king brought down by his own poor decisions and inattention to important affairs of state. For all his flowery speeches bemoaning his fate and defending the divine right of kings, he comes across as more whiny than righteously...
...find a common interest. Yet all three may find themselves intrigued by the production of William Shakespeare’s “Richard II” going up in the Loeb Ex this weekend. Directed by Adam G. Zalisk ’07 and produced by Veronica T. Golin ’07 and Jason M. Lazarcheck ’08, this new adaptation of the classic history play seeks to reinvigorate the Elizabethan text with modern influences as disparate as tennis great John McEnroe and the detritus of a collegiate Saturday night. The play, which recounts the disintegration...