Word: gollub
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Dates: during 1960-1969
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Conventional documentary style, largely derived from English and French films of the thirties, exposes contradictions through reconstruction's. In the spring issue of Film Quarterly, Judith Gollub says that what attracted Alain Robbe-Grillet to the cinema was its ability to act on two sense simultaneously in a dialectical movement of statement and negation; in other words, soundtrack and image allow for greater possibilities of contradiction. Conventional documentary reconstructs reality through editing and asynchronous sound (voiceovers, etc.) and techniques borrowed form fictional narrative-music, establishing shots, distant shots, etc. Often, conventional documentaries contain footage shot in direct cinema style; however...
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