Word: golon
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...Year's Eve, six-year-old Christian put the lighted flashlights into the sleeves of his rust-red sweater and, a veritable 21st century automaton, ran down the hallways of TIME magazine to his mother, picture editor MaryAnne Golon. With not a small degree of pride, he loudly declared, "I'm Y2K compliant...
Finding just the right art for the issue was its own adventure. Deputy art director MARTI GOLON was looking for someone to paint Swiss child psychologist Jean Piaget, for example, when she chanced on a portrait in an illustration annual. She knew the artist, ETIENNE DELESSERT, as a children's book illustrator and thought, "Wow, this is a perfect solution." She had no idea how perfect. Delessert not only knew Piaget but had worked with him. Delessert sent along a photo of the two collaborating on a book, which we couldn't resist reproducing here. You will find other remarkable...
...mass suicide of the Heaven's Gate cult members. Along the way, somehow, he has also managed to pull together TIME's 25 Most Influential Americans. "TIME 25 is a magazine-wide effort," he says, "and I had a terrific core team" made up of art director Marti Golon, picture editor Bronwen Latimer and assistant editor Ursula Nadasdy. Says deputy managing editor Jim Kelly: "In my book, Howard and these three are the TIME...
...issue and wrote two of the stories, says, "The work was made much easier by the writers to whom we assigned the stories and by our good fortune in having what I consider an editorial Dream Team." Working alongside Wulf were reporter LAWRENCE MONDI, deputy picture editor MARYANNE GOLON and deputy art director JANE FREY, and they weathered the inevitable crises of creation beautifully. Adds Wulf: "It was such an enjoyable, cooperative effort that there were times I felt we were competing in the quadruple sculls...
...Golon spent weeks in Europe last summer poring over historic photo archives for the opening picture essay. She also unerringly matched photographer to subject for the rest of the issue. Her best decision, though, was to push TIME's editors to look at black-and-white photographs shot by David Burnett at last summer's Olympic Festival in Colorado Springs, Colorado. In this era of motor-driven photography, Burnett stepped back in time and tried to capture the essential moment in one shot. His work was so striking that he was dispatched to cover the Penn Relays and other...