Word: golschmanns
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Dates: during 1940-1949
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Prokofieff: Classical Symphony (St. Louis Symphony, Vladimir Golschmann conducting; Victor; 4 sides). The deftest work of modern "neoclassicism" (in which composers play with the mannerisms of Corelli's period) is given a performance not quite as neat as Dimitri Mitropoulos' splendid version (Columbia...
Sibelius: 7th Symphony (N.Y. Philharmonic-Symphony, Sir Thomas Beecham conducting; Columbia; 6 sides). Between this and last month's 7th (by Vladimir Golschmann and the St. Louis Symphony, for Victor), Sibelius fans will find it hard to choose. Beecham's has slightly more vitality. Golschmann's version is better recorded...
Sibelius: Symphony No. I (New York Philharmonic-Symphony, John Barbirolli conducting; Columbia; 10 sides) and Symphony No. 7 (St. Louis Symphony, Vladimir Golschmann conducting; Victor; 6 sides). Two of the great Finn's finest. Golschmann's 7th, the only version available outside the six-volume collection of the Sibelius Society, is an ideal performance, magnificently recorded. Barbirolli's First is somewhat pedestrian, strongly rivaled by Ormandy's excellent Victor album...
...this roused the envy of St. Louis' Conductor Vladimir Golschmahn. Promising in his program that he would perform the overture so stirringly that the audience would "literally be lifted from their seats," Conductor Golschmann ransacked nearby army camps for artillery. He found plenty of cannon, but no blank shells. At last Conductor Golschmann settled for a couple of shotguns which he borrowed from the Schubert Theater's property manager, Eugene Popp. They were "fired by stage mechanics into empty wooden tubs. St. Louis Symphony patrons agreed that the popping of Popp's shotguns was noise enough...