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Artur Rodzinski. Vladimir Golschmann, Ossip Gabrilowitsch, Nikolai Sokoloff, Tullio Serafin. Soloists to come: Rosa Ponselle, Yehudi Menuhin, Efrein Zimbalist, Josef Hofmann, Jose Iturbi, Vladimir Horowitz. Lily Pons, Lucrezia Bori, Lotte Lehmann, Elisabeth Rethberg, Tito Schipa, Richard Bonelli...

Author: /time Magazine | Title: Music: Baltimore Lynching | 12/25/1933 | See Source »

First concerts in St. Louis and Indianapolis last week were more in tune with the Los Angeles Philharmonic's unworried beginning. In St. Louis the sleek, gallic ways of Conductor Vladimir Golschmann have proved so popular that the orchestra was able to balance its budget this autumn by boosting ticket-prices. In Indianapolis the orchestra which Ferdinand Schaefer started with unemployed musicians on a co-operative basis (TIME, Nov. 10, 1930), is actually thriving...

Author: /time Magazine | Title: Music: Los Angeles March | 10/31/1932 | See Source »

German Bruno Walter will conduct the Philharmonic for seven weeks, beginning in mid-January. But for the next few weeks substitutes were needed. The choice of Detroit's Ossip Gabrilowitsch and of Hans Lange, the Philharmonic's assistant conductor, surprised no one. The engagement of Vladimir Golschmann for Christmas week aroused controversy, as did the Philadelphia Orchestra's engagement of Eugene Ormandy, another beneficiary of Toscanini's glass arm, now permanently established in Minneapolis (TIME...

Author: /time Magazine | Title: Music: Glass Arm Substitutes | 12/21/1931 | See Source »

...Vladimir Golschmann has conducted in Manhattan before, in 1924 when he was 30, as guest of Walter Damrosch's New York Symphony. He came well recommended then from his native Paris where from violinist he rose to conduct his own Concerts Golschmann, presenting many a contemporary French composer. He conducted successfully after that with the Diaghilev Ballet but in Manhattan he made slight impression. The Symphony was in a badly run-down condition. Symphony men, used to calm, benevolent Conductor Damrosch, objected to Golschmann's nervous, high-pitched voice, his worried manner...

Author: /time Magazine | Title: Music: Glass Arm Substitutes | 12/21/1931 | See Source »

Then last spring the tables turned. Vladimir Golschmann returned to the U. S. to conduct the St. Louis Symphony at a time when tense, vital leadership was its only hope for salvation. Ten imported guest conductors had driven players and audiences into a state of lethargy, but Golschmann managed to inject enough spirit into four concerts to earn a two-year contract. This autumn the St. Louis Symphony has been unique in hav-ing its highest seat-sale in history, a 12% increase over last year's. Part of this is due to the enthusiasm St. Louis ladies have...

Author: /time Magazine | Title: Music: Glass Arm Substitutes | 12/21/1931 | See Source »

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