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...advantage of the opportunity and kicked off before Harvard had a chance to get completely reset on the field. They ended up driving the length of the field and got a last chance to score with a corner kick. After stationing all its players—including goalie Christopher Gomez??directly in front of the Crimson net, Brown sent the ball just a few yards outside of the box. As it bounced dangerously close to the goal, the ball miraculously ended up past the end line, just a couple of yards to the left of the post with...

Author: By Abigail M. Baird and Evan R. Johnson, CRIMSON STAFF WRITERSS | Title: Tornaritis Nets Last Minute Tally | 10/18/2004 | See Source »

...System, it seemed, agreed. At 5 p.m. that day, I was no longer a shleppy college student spending a week at home with my parents. I was juror number 10 in the case of People of New York v. Saul Gomez??I sat in the box with a street preacher, a doorman, the teapot from Broadway’s Beauty and the Beast, a Princeton Ph.D student and sundry others. I couldn’t help grinning...

Author: By Sarah M. Seltzer, | Title: I Fought (for) the Law | 7/16/2004 | See Source »

...Gomez??s co-founders joined him on the panel, which was comprised of classmate Steven M. Sayers, Barbara Kritchevsky, who graduated from HLS in 1980, and Mary B. Whisner, who graduated...

Author: By Andrew C. Esensten, CONTRIBUTING WRITER | Title: HLS Holds Nation’s First Ever GLBT Reunion | 9/22/2003 | See Source »

...were less mercurial, favoring instead a more concise approach to song-writing. Or maybe the songs just happened to not be in the same key this time around so they couldn’t be compressed into the ramshackle epics they mastered on Liquid Skin, Ian Ball, one of Gomez??s three lead singers, suggested in an interview last Thursday...

Author: By Andrew R. Illif, CRIMSON STAFF WRITER | Title: Chaos Theory | 10/3/2002 | See Source »

...Gomez??s set drew substantially on their most recent album and despite the complex layers of loops and samples that underpin many of their songs, their performance was seamless. “We used to be a lot more messy,” Gray claimed. “The show has gotten much tighter since our early days.” Both Gray and Ball disavow any knowledge of the mess of buttons and samplers that sit behind drummer Olly Peacock onstage, from whence come the skittish beat of “Detroit Swing 66?...

Author: By Andrew R. Illif, CRIMSON STAFF WRITER | Title: Chaos Theory | 10/3/2002 | See Source »

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