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...Ziyi proved that in her debut movie, The Road Home, directed by her mentor Zhang Yimou, before beguiling the world as the willful young heroine of Crouching Tiger, Hidden Dragon. At Cannes this year she was radiant in two fine films: 2046, where she managed to outshine longtime mesmerizers Gong Li and Faye Wong; and Zhang Yimou's own House of Flying Daggers, a follow-up to his martial-arts epic Hero...

Author: /time Magazine | Title: At Cannes, Asia's star shines | 5/31/2004 | See Source »

...anything that anyone does at this level is new. The facebook isn’t even a very novel idea. It’s taken from all these others. It’s basically the same thing on a different level. And ours was that we’re gong to do it on the level of schools...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: Online Facebooks Duel Over Tangled Web of Authorship | 5/28/2004 | See Source »

...reason. Wong?s film is a cool meditation on, and a warm evocation of, the loves of a man?s life. The man (Leung, playing the same character he did in Wong?s 2000 Cannes prize-winner ?In the Mood for Love?) has a mysterious woman in his past (Gong Li), a flirtatious woman in his present (Zhang) and a robot woman in his future (Faye Wong). There?s no excuse for ignoring this beautifully made, deeply felt movie. We can only surmise that this Jury was in the mood for politics, not love...

Author: /time Magazine | Title: Palms Up for Michael Moore, Thumbs Down for Bush | 5/24/2004 | See Source »

...lives in the same boarding house. The new film follows Chow's erotic adventures for the next decade or so, mainly with the alluring Bai Ling (Zhang Ziyi), and occasionally dips into the past, in reveries of Lulu the vamp (Carina Lau) and the tragic-masked Su Lizhen (Gong Li). Chow is now a writer of science-fiction novels. They take him and the audience into the year 2046, where he dallies with the android Wang Jing-wen (Faye Wong...

Author: /time Magazine | Title: In the Mood for Rapture | 5/24/2004 | See Source »

...direct our glance to all the fabulous women in the cast. The camera, mainly manned by Christopher Doyle, prowls around the women like a lover in the first flush of passion. It captures and caresses the actresses' radiance: Lau's bold sensuality, Faye Wong's elfin resiliency, Gong Li's fragile hauteur. Zhang, in a panoply of pouts, flirtations and surrendering smiles, is at her most ravishing and nuanced, especially when swathed in the spectacular cheongsams of costumer designer (and editor and production designer) William Chang...

Author: /time Magazine | Title: In the Mood for Rapture | 5/24/2004 | See Source »

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