Word: gongli
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Dates: during 2000-2009
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...cast is a roster of A-list Asian actors. Ziyi Zhang, of the worldwide kung fu hits Crouching Tiger, Hidden Dragon and House of Flying Daggers, plays Sayuri. Gong Li, mainland China's first international star, is Hatsumomo. Michelle Yeoh, another Crouching Tiger eminence, who was also a Bond girl (Tomorrow Never Dies), is Mameha. And Ken Watanabe, the Oscar-nominated warrior of The Last Samurai, is the Chairman...
...cast. Suzuka Ohgo, as the young Chiyo, brings an elfin gravity to the first 40 minutes of the film. Zhang, 26, blossoms persuasively from a girl of 15 to a woman in her early 30s, and Watanabe lends his warmth and regal machismo to the Chairman. But it's Gong Li, in a Bette Davis bitch-goddess role, who strides away with the picture. Her stiletto stare can burn in passion or turn on a rival with Freon fury. Facing it, one child extra started sobbing and had to be replaced...
Even in early films like Ju Dou and Raise the Red Lantern, Gong Li had a smoldering star quality. So a diva like Hatsumomo fits her like a cheongsam. She thinks she knows why her character is so mean to Sayuri. "In those days, a geisha could not have her own love," she says, speaking through an interpreter, "so she had a lover secretly. She's been deprived of her own love, her own feelings. She has great love and great hate. I thought she might have had the same kind of upbringing as Sayuri. She might have been beaten...
Tears were plentiful on the Geisha set. For Hatsumomo's final, incendiary face-off with Sayuri, Gong Li stayed on the set all day, crying, never getting out of character. Marshall recalls, with awe in his voice, that "hour after hour, as people worked around her, lighting and moving cable, she stood there weeping, because she couldn't leave that feeling. I've never seen anything like that in my life." After the actress filmed her last scene, she couldn't let go. "When Rob Marshall announced that I had wrapped my role and was leaving," she says...
Student response was enthusiastic. “What surprised me was the level of improvisation” says Rebecca A. Gong ’08. “It was just amazing…it was almost as if they were dancing onstage while performing...