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Several centuries later, José Gonz??lez, a young musician of Argentinean descent raised among the fjörds of Sweden, embarks on a similar aesthetic odyssey with his debut album “Veneer...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Veneer | 9/30/2005 | See Source »

...where Goethe’s trip took him to the glittering nexus of a unitary “classical” culture, Gonz??lez leads his listener through a more cosmopolitan pantheon of sincere acoustic folk, taking in everything from spicy Spanish flourishes to British pastoral balladeering on a breakneck journey through his musical heritage...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Veneer | 9/30/2005 | See Source »

...songs such as these, Gonz??lez reaches the sort of confessional intimacy with which fellow Scandinavian artists like Kings of Convenience’s Erlend Øye only flirt...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Veneer | 9/30/2005 | See Source »

...this album formulaic? By all means. Comparisons to other, more renowned artists abound on the first listen. In Gonz??lez’s Rome, beautifully-proportioned busts of Simon and Garfunkel adorn museums and villas. Mark Kozelek (of the Red House Painters) paints riffs on a Sistine ceiling for bossa nova Pope João Gilberto...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Veneer | 9/30/2005 | See Source »

...philatelic stereotyping, which follows President Vicente Fox's gaffe in May that Mexicans do jobs in the U.S. that "not even blacks want." The Rev. Jesse Jackson demanded a recall of the "Sambo-type" images. But a rep at the Mexican embassy insisted the stamps are misunderstood: "Speedy Gonz??lez has never been interpreted in a racial manner" in Mexico...

Author: /time Magazine | Title: Stamps of Disapproval | 7/5/2005 | See Source »

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