Word: gonzaga
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Dates: during 1980-1989
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...Giannuzzi was born in Rome, took the city's name, worked in Raphael's studio and, as a very young man, must have known both Michelangelo and Leonardo da Vinci, it was in Mantua that he found his voice as an artist. As architect and painter to Federico II Gonzaga, he became Mantua's virtual artistic dictator in his 20s and remained so until he died at the early age of 47. There, projects poured from him in an undiverted stream: not only frescoes and panel paintings and the innumerable sketches that preceded them, but also designs for palaces...
There he had no rivals and no clergy breathing censoriously down the back of his neck. Federico II Gonzaga's court was a secular one; not even his tamest eulogists could have called the Duke pious. He was, however, brave, generous, greedy, obsessed with his own virtu (which meant prowess, not virtue) and determined to go down in history for his martial skills, his classical learning and his devotion to all vertical and horizontal forms of the chase. In Giulio, this son of Isabella d'Este found a court artist whose libidinousness and intelligence fit his own. Both men moved...
...Stevens seemed an unlikely candidate for a killer. Police were tipped off that he might be the slayer when a December 1988 episode of the syndicated television program Manhunt prompted calls from people who suspected he was the murderer. At the time, Stevens was in his last year at Gonzaga University Law School in Spokane and president of the student body. But his identity as an unassuming law student began to unravel quickly as investigators discovered that Stevens had been convicted in 1979 of stealing police equipment and had disappeared from a work-release program in 1981. Stevens was arrested...
...jail categorically denying police claims. "I am not the Green River killer. They have made me out to be a very bad person, and I am not," he declared. His lawyer Craig Beles says his client "is a colorful character, but he's no murderer." Students and faculty at Gonzaga, who describe Stevens as quiet and studious, were stunned by the allegations that he may have lived a secret life. Chris Bales, a former Gonzaga law professor who taught Stevens criminal law, characterized him as a "gentle fugitive" who posed no threat to society when he was arrested last winter...
Partly because he worked from sketches, engravings or memories of sculpture, Reni's heroic male nudes -- the Samson Victorious, and the various figures of Hercules done for the Gonzaga in Mantua -- have a sculptural intensity that blots out the rest of the painting. Background figures scurry about in deep recession, half transparent, like wraiths out of Tintoretto; the landscape is simplified into broad plains; against this, the single magnified body rises up. One remembers only the imposing structure turning, as it were, before the eye, displaying its stresses and bulges -- straining for embodiment and yet defeating it with...