Word: gonzalo
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Dates: during 1970-1979
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...insufficient attention to King Alonso and his five lordly cronies--"that dismal sextet," Agate called them. The actors can do little but go through their plot-serving paces, though someone should have kept Theodore Sorel from going way out of vocal control in Alonso's "billows" speech. As old Gonzalo (a weak retread of Polonius in Hamlet), Daniel Benzali gets an unintended laugh from today's fuel-conscious audience when he outlines his ideal commonwealth as having "no use of...oil." And it is a nice touch, at the end of the play, for him to bow to Caliban with...
...three gunboats, it maintains no armed forces beyond the civil and rural guards. That largely precludes the possibility of any man on horseback seizing power by force. With no external enemies or guerrilla problem to deal with, Costa Ricans feel no need for armed muscle. Shrugs Foreign Minister Gonzalo Facio: "If we spent money on arms, we would probably have a smaller per capita income...
...fear-stricken, drunken and very funny sailors. Ralph Zito turns in a macho, manic performance as Ariel, the spirit forced to do Prospero's blading. Joe White, as Sebastian, gets off some well-delivered lines, and Paul Rosta is a perfectly doddering, if one-dimensional, old fool as Gonzalo. The rest of the sailors and nobles are adequate, as is the troupe of harpies who pop up sporadically and deliver the most effective mime in the production...
...vote may have hurt the U.S. and the OAS more than Cuba. Earlier, there had been favorable reaction to the new hands-off U.S. policy, which Assistant Secretary of State for Inter-American Affairs William D. Rogers described at Quito as "healthy." But Foreign Minister Gonzalo Facio of Costa Rica, which had co-sponsored the Cuban measure with Venezuela and Colombia, was openly bitter. "We have helped the United States when they needed us," he complained, "but now that we need their help, they do nothing." After the Cuban proposal failed, some Latin American newspapers, and even diplomats, claimed that...
...this end, she doggedly pries apart relationships and scrutinizes the pieces for wear. It turns out that the traits she rebels against in friends often lurk unacknowledged in herself, so that an end to friendships ends external friction, while the sparks smolder inside her. When a printer named Gonzalo friendships ends external friction, while the sparks smolder inside her. When a printer named Gonzalo no longer intimidates her with his violence Nin sees it in herself. She resists the "physical and mental promiscuity" in Henry Miller while they are together in Paris, and later traces the same gleeful audacity...