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Beirut tournaments are just one of the many convincing rationales for giving the requested $10 contribution to Senior Gift—an annual drive that asks seniors to donate to the Harvard College Fund before they graduate. The most convincing is that the cause is good??donations both help students matriculate by channeling money into financial aid, and help improve their experience once they’re here by pouring money into unrestricted funds. I’ve gleaned a lot from my Harvard experience, and I don’t think it?...

Author: By David B. Rochelson, CRIMSON STAFF WRITER | Title: The Giving Me? | 4/28/2005 | See Source »

...sort of ignited the fuse there,” Silvera says. “Well, that’s the way it goes, and it was good??it had to happen. Boston, poor people, they’re like the Cubs fans...

Author: By Stewart H. Hauser, CRIMSON STAFF WRITER | Title: TAKE IT TO THE HAUS: Putting the Crazed Sox Fan in Perspective | 4/19/2005 | See Source »

Original scoring can do some movies some good??where there’s a clear artistic statement, one which can be easily translated to a single musician or band. But it’s transitive—there are times when the associations already present in a written pop song bring something to a movie. What would it have been like if anything other than Lou Reed’s “Perfect Day” played during the reflective scenes of Trainspotting...

Author: By Drew C. Ashwood and Chris A. Kukstis, CRIMSON STAFF WRITER AND COLUMNISTS | Title: "Listen, It'll Change Your Life" | 3/3/2005 | See Source »

Engell noted that upon the completion of Expos, students generally “feel good?? about the course, though this impression changes by senior year. He suggested that this shift in student attitude may be caused by the fact that even after completing Expos, students struggle to grasp the stylistic demands of different departments...

Author: By Natalie I. Sherman, CRIMSON STAFF WRITER | Title: Expos Program Under Review | 2/18/2005 | See Source »

...exercise in hyperbole at every single level. I’m not trying to make the “kitsch” or “camp” arguments; this isn’t exactly “so bad it’s good?? though it’s something close. I’m suggesting that this song is the best example of how the mainstream music industry machinery no longer makes songs, or records, or even music, but rather commercial media entities. This kind of synergy may be bad or good depending on your...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERSS | Title: Grammys Love Company of Dead Artists | 2/18/2005 | See Source »

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