Word: good
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Dates: during 1930-1939
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...newest territory, but he had time to deliver a speech in which he said: "What we can expect from the other world we know. We do not have the intention to inflict suffering on this other world; however, the sufferings that it inflicted on us we had to make good again and I believe that in essentials we have already arrived at the conclusion of this unique restitution...
...Mikado (some of it by Gilbert & Sullivan; produced by Michael Todd) does not, like the Federal Theatre's Swing Mikado (TIME, March 13), tacitly beg Gilbert & Sullivan's pardon for cutting up. Instead it impatiently regards them as two aged gentlemen whose wheel chairs need a good strong push. Once pushed, the wheel chairs go bounding lickety-split. Before the ride is half over, Gilbert falls out and breaks his neck. But Sullivan lands bruised and breathless in Harlem, in time to inquire-when the band plays his Oh, Living I-"Just what is that...
...Negro show like its Federal Theatre rival, The Hot Mikado kisses the Old Boys good-by at about the eighth bar of the first song, turns Titipu into a dance hall before latecomers are in their seats, makes Yum-Yum, Pitti-Sing and Peep-Bo carry on like three little maids from reform school, and finishes Act I in an uproar when Katisha busts in, no hatchet-faced termagant, but an eye-rolling, hip-shaking, torch-singing Red Hot Mama...
...Southern Tenant Farmers Union, preached a "funeral sermon" over a "coffin" (a black cigar box) representing the United Cannery, Agricultural, Packing & Allied Workers Association (C. I. O. union), from which S.T.F.U. had broken off (TiME, March 20). Said "Buck" Kester: "I have racked my memory for something good to say about the deceased, but I have found none...
Radio stations have good reason to be skittish about the sort of religious programs they put on the air. Last year, before Easter, a religious drama was submitted to NBC which gave its executives quite a turn. Called The Living God, translated from the French of Cita and Suzanne Mallard, the program attempted to take its hearers back to Jerusalem during the last days of Jesus Christ, whose Passion and Resurrection were supposedly broadcast by an announcer with a portable microphone. Even in a toned-down version this drama scared NBC. But when it was finally broadcast in Holy Week...