Word: good
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Dates: during 1930-1939
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...told audiences: "You are my manuscript. I look into your faces and wait for God to tell me what to say." He sings hymns in a sweet tenor, solo and with the congregation. He threatens no hell fire, for he believes that "it's no good to scold poor sinners. I know now it's better to love them...
...heart, a habit of always writing fashionable plays and never revolutionary ones. It proclaims a playwright who has made sport of everything while never giving offense to anybody. It proclaims a really great practical theatre mind, with no philosophy except that the theatre is entertainment, and that good entertainment pays...
Kaufman's own reason for constantly collaborating is simply that he needs collaborators, that he doesn't think his plays would be very good if he worked alone. Every collaboration is an evenly shared two-man job, with long preliminary stretches for working out every detail of plot, until suddenly "a bell rings" and the collaborators start their "star-chamber sessions" of writing. Every line of dialogue is written together. From start to finish, a play takes anything from five weeks (You Can't Take It With You) to seven months (The Royal Family), depending...
Travels. Kaufman was born in Pittsburgh of a middle-class Jewish family who "managed to get in on every business as it was finishing, and made a total of $4 among them." After leaving high school, George started studying law because it seemed a good way to put off working for several years. But after three months he quit, because he couldn't make heads or tails...
...detests dinner-parties, loathes travel, has never been to the opera, took his first drink at 30 and has taken few since. He fights innovation, was almost the last person to adopt soft collars and a wrist watch, was once told by his wife "It's a good thing you were not the world's first baby, or you'd still be crawling...