Word: good
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Dates: during 1940-1949
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...Good Clothes Hanger. Working with a less accomplished model, the photographer might spend hours trying to prod and push her into the proper pose. But not with Lisa. With a dancer's discipline and grace, she responds instantly to the photographer's every direction, almost before it is spoken. Her body (bust and hips 34 in.) is so supple that she can pull in her normally 23-inch waist to 18 inches. She has the gift of mimicry every good model needs, and a keen fashion sense. Once, she appeared 103 times in a single issue...
Although her parents sent her to cooking school ("with the idea that I should be a good housewife"), Lisa had her heart and her nimble feet set on dancing. The town still remembers how, in a school play, she stole the show dancing the role of an Oriental slave...
That Midnight Kiss (M-G-M). Producer Joe ("No one's going to get sick or die in my movies") Pasternak is an expert at turning out box-office musicals (Three Daring Daughters, In the Good Old Summertime). His favorite theme is the American dream that the tot on the living-room floor may one day turn out to be another Schnabel or Flagstad. In this case, the American living room is the usual Pasternak plush job, heavily furnished with grand pianos, helpful celebrities and enthusiastic prodigies...
...usual, Pasternak begins with a pretty soprano (Kathryn Grayson) warbling an aria. An itinerant celebrity (Jose Iturbi) is beating the fake rosebushes for young opera stars. Tunneling into this setup is a manly young truck driver (Mario Lanza) who has just the bouncing good looks and tenor voice to team up with the soprano...
...dizzy foolishness of this sodapop operetta is made more foolish by its opulence. Every good thing about it is lavishly doubled or tripled. There are two prodigies and two frustrated opera-singer parents kicking them up to stardom, two comics (Jules Munshin and Keenan Wynn) and two imperturbable renegades from the fine arts (Ethel Barrymore and Jose Iturbi). Among the players, only Thomas Gomez (whose portrait of a tenor warming up his tonsils spoofs both tenor and script) seems to be having any fun in the machine comedy...