Word: goode
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Dates: during 1970-1979
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Following tradition, George Rose plays both the father of the three children Peter spirits away and the comical Captain Hook, the archvillain of Neverland and "the swiniest swine in the world." But Rose breaks with tradition by being good in half his assignment and not quite so good in the other: he is a fine father but a wayward villain. He has apparently sought to create the same broad, almost campy mannerisms Cyril Ritchard had in the original version, but, perhaps through bad direction, he has overshot his mark. As a result, his Cap tain Hook is almost effeminate, modeled...
...patchy. Nevertheless, Yevtushenko gushed that playing the rocket man "left a tremendous imprint on my own destiny." It was tough, declared Moscow's Establishment poet, to play someone "far more interesting, better and more important than I am. I had to concentrate all my inner resources, find everything good in my soul, and try and get a little closer to the image of that remarkable man of genius." Yevtushenko does not want to act again. But he is eager to direct a film, preferably one with the same boyhood-in-Siberia theme as his first novel...
...best-known movie performances, Susan Sarandon scored as Brooke Shields' momma in Pretty Baby, a saga about a New Orleans house of you know what. Momma, who is 30, has pretty good gams herself. In her latest movie, Something Short of Paradise, Sarandon plays a feminist writer who wants love and security but not necessarily the marriage commitment that her partner, David Steinberg, insists on. Says Sarandon: "It's a pretty modern love story, which means everyone is fairly confused." In any case, the best shots of her are thigh...
This is an excellent example of the movie's contempt for both taste and religion. Life of Brian is even now being protested by spokesmen for various pious groups. They are quite right to do so, for this is no gentle spoof, no good-natured satire of cherished beliefs. The Pythons' assault on religion is as intense as their at tack on romantic chivalry in Monty Python and the Holy Grail (1975). They are funny lads, but detest all formal systems of belief, all institutions: the political left and right, popular culture, motherhood, womanhood, homosexuality, conformity and nonconformity...
...movie is occasionally undone by the Pythons' resistance to comic coherence. But such is the group's inventiveness and cheek that the audience is always confident, even when things are running a bit thin, that good stuff will be along shortly. Adolescents are flocking to Brian, as if it were another Animal House. But it is a richer, funnier, more daring film - too good to be left solely to the kids. Maybe all the earnest protests will attract those who need it most: adults who have not had their basic premises offended, and therefore have not examined them...