Word: goode
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Dates: during 1990-1999
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...finally settle down. Mary Jo moves herself and Ava in with Jack (Gavin O'Connor), a seemingly nice trucker; Ava makes friends at school and becomes friends with Dan, a nice older man who works with her mom. Though Mary Jo doesn't quite know what's good for her, Ava certainly does; she struggles to get her mom to stop running away from her problems, and even tries to steer her toward Dan, who's a much better...
McTeer and Brown also get a little help from some great supporting players. Gavin O'Connor, also in his debut performance, is good as the frustrated, traditional trucker Jack; kudos also to Jay O. Sanders, for his sensitive portrayal of Dan, and some great scenes with Brown's character Ava. Cody McMains is a delight as Ava's 12-year old, punk-haired boyfriend, and up-and-comer Laurel Holloman matches McTeer's spunk as a close friend of Mary Jo. Director O'Connor had some terrific talent to work with for this film, and gives each one of them...
...Frankie McCourt himself is portrayed by three actors: 8-year-old Joe Breen, 13-year-old Ciaran Owens and 19-year-old Michael Legge. Sadly, only Breen manages to capture the essence of Frankie and the "odd look" he gets from his good-for-nothing, "North of Ireland, Presbyterian" father. Breen, slack-jawed and observant, effectively captures McCourt's portrayal of himself as a slightly vapid child...
...best only serve in this context to accentuate the reader's disappointment in the rest of the compilation. In 1959: What is Apartheid?, a transcript of a seminar given in Washington DC, we see the Gordimer who we know and admire. Her prose rings pure and true, like good crystal: simple and clear, but heavy with a kind of unexpected weight. This is the Gordimer who spoke because her words demanded to be heard, and these words deserve reprinting because they bear deeply the watermarks of authenticity and tragedy. They are not as eloquent as her fiction, but they evidence...
...film's most distracting element, Jewel, playing the sweet widow Sue Lee Shelley, appears later in the film when Roedel, Chiles, and Holt move to a dugout to wait away the winter. Jewel is surprisingly good at engaging in dialogue, yet she visibly shies away from the camera when she finishes her lines. Lee quickly establishes a romantic relationship between Shelley and Chiles, who sires a child before dying in a federal raid on the dugout. Chiles death scene is sickeningly melodramatic as Roedel and Holt first attempt to amputate Chiles' diseased arm, only to realize that Chiles' death...