Word: gooding
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Eventually, the Joneses become so good at what they do that the perfect marketing scheme begins to unravel. Mick successfully promotes his assigned punch brand, but serves so much to his underage friends that he indirectly causes a drunk driving accident. Larry, persuaded that his disinterested wife will come around if he buys her expensive gifts, buys more of Steve’s wares than he can afford. Meanwhile, the Joneses start to form genuine attachments to one another, beyond the familial bonds they must simulate as part...
...undoubtedly dominate the audience’s attention. Even if the director of “Lunatic” decides to avoid the flashiness of noir cinematography, the piece is still set in 1956, and Hobbs and the production team have decided not to rewrite it. There is no good solution to the dilemma of when to set the film—to rewrite the script would amount to utter stylistic dismemberment, but to film “Lunatic” as a period piece endows it with a very different meaning than it would have had as a contemporary...
...make good from bad? What is art, and what is musical theater as art?” asks director of “High School Musical Scenes” Daniel V. Kroop...
Tupolski (Jackson M. Kernion ’12) and Ariel (Dan J. Giles ’13), the detectives who keep Katurian in custody, complete the cast. The pair effectively opens with the classic “good cop, bad cop” routine, only to reverse their roles as the plot develops. Kernion is cool, cunning, and calculated, while Giles positively burns with aggression and rage, lashing out in fury at the slightest provocation. Giles’s thundering demeanor is artfully tempered, however, by the presence of a few childlike habits, such as a penchant for sucking...
Despite his situation, Frederic sings of his love for a good paradox, and the Harvard-Radcliffe Gilbert & Sullivan Players (HRG&SP) seem to share that affection. And, ultimately, it’s the way the Players handle these paradoxes with earnest delight and abundant charm that makes “The Pirates of Penzance” so irresistibly enjoyable...