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Usage:

...proud of my boys," said an exuberant Mike Goodman afterwards. "I was afraid we'd lose...

Author: By Michael Goodman, | Title: Crimson Drives To Another Win | 11/12/1970 | See Source »

...Despite Goodman's happiness about the clutch safety, he expressed disappointment. "It's a real shame that those guys not only outclass us on a journalistic plane, but on an athletic one as well...

Author: By Michael Goodman, | Title: Crimson Drives To Another Win | 11/12/1970 | See Source »

...that cigarette smoking may not be hazardous to your health, all cigarette ads will be off the air. Except for the vignettes showing Benson & Hedges' longer cigarettes forever getting caught in beards, clashing cymbals and elevator doors, none of them will be missed. ∙Mark Goodman...

Author: /time Magazine | Title: Television: Reviewing the Commercials | 11/9/1970 | See Source »

...radiance is blunted by the conventionality of her role. Realizing that their love is an affront to man and God, Martha immolates herself. This is intended to be her act of the heart. Instead, it is simply the awkward denouement of Almond's chaotic vision. Mark Goodman...

Author: /time Magazine | Title: Cinema: Chaotic Vision | 11/9/1970 | See Source »

...pardner. Not even the redoubtable Lee Marvin, sadly cast in the title role of Monte Walsh. He and Chet (Jack Palance) amble vaguely across Southwestern cattle country, swapping hand-rolled cigarettes and saddle-sore lines that would make a dogie bleat in an guish. Screenwriters Lukas Heller and David Goodman apparently drew their ideas from The Misfits and The Wild Bunch and hawg-tied them with early Zane Grey dialogue. The resulting wrangle is a tale of aging cowpokes in a changing West that ain't worth the price of a good branding iron...

Author: /time Magazine | Title: Cinema: Hawg-Tied and Saddle Sore | 10/26/1970 | See Source »

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