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...anyone’s iPod. People get used to this, and expect this, and it creates a vicious cycle pretty fast,” he wrote. “I’ve definitely refused many gigs ’cause it simply wasn’t a good fit... neither I nor them would’ve been happy.” Zisiadis, who says that he loves playing new and obscure remixes when he DJs, also says that his favorite venue is the Queen’s Head Pub, at which he has performed for Senior Bars...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: The Dutiful DJ | 3/2/2010 | See Source »

Talented DJs like VanMiddlesworth and Zisiadis consider the obligation to pander a good reason to avoid Harvard’s conventional party scene. “I DJed at a bunch of places around campus at the end of sophomore year and just realized that to do that you have to stay on top of what music people are listening to. I wasn’t very good at that and didn’t want to spend so much time listening to T-Pain,” said VanMiddlesworth. Now, though, “I basically have retreated...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: The Dutiful DJ | 3/2/2010 | See Source »

...play Top 40, it’s not the original.” Still, Regan said his goal is to a find the “happy medium.” In terms of his priorities, he added, “I perform just so people can have a good time...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: The Dutiful DJ | 3/2/2010 | See Source »

...this point, all DJs seem to agree; they perform “just” so people have fun at parties. “The money is not the reason I DJ. It’s to have a good time and to put what I’ve practiced to good use and to make people happy. The money they pay me, I couldn’t care less about,” says Regan. “If people leave and say, ‘Wow, that was a great event,’ that?...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: The Dutiful DJ | 3/2/2010 | See Source »

...with any form of community service, making the community happy is not necessarily easy. To explain the social maneuvering involved in DJing a good party, Thorn said, “[Y]ou have to be really conscious of how many people are dancing, who is coming in, and who is leaving. You have to make sure you don’t play too many of the popular songs until there are a good amount of people [on] the dance floor... You really have to learn how to gauge your audience.” This micromanagement amounts to an extended empathy...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: The Dutiful DJ | 3/2/2010 | See Source »

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